From the mid-17th century, Kakiemon wares were produced at the factories of Arita,
Saga Prefecture, Japanwith much in common with the Chinese "Famille Verte" style. The superb quality of its enamel decoration was highly prized in the West and widely imitated by the major European porcelain manufacturers.
1971it was declared an important "intangible cultural treasure" by the Japanese government.
The art of enamelling
The Japanese potter
Kakiemon Sakaida(酒井田柿右衛門, 1596- 1666) is popularly credited with being one of the first in Japan to discover the secret of enamel decoration on porcelain, known as 'Akae'. The name "Kakiemon" was bestowed by his overload on Sakaida, who had perfected a design of twin persimmons (kaki: persimmon) and who then developed the distinctive palette of soft red, yellow, bleu and turquoise green. Kakiemon is sometimes used as a generic term describing wares made in the Arita factories using the characteristic Kakiemon overglaze enamels and decorative styles. However, authentic Kakiemon porcelains have been produced by direct descendants, now Sakaida Kakiemon XIV( 1934-). Shards from the Kakiemon kiln site at Nangawara show that blue and white and celadonwares were also produced.
Kakiemon decoration is usually of high quality, delicate and with asymmetric well-balanced designs. These were sparsely applied to emphasize the fine white porcelain background body known in Japan as
NIGOSHIDE(milky white) which was used for the finest pieces. Kakiemon wares are usually painted with birds, flying squirrels, the " Quailand Millet" design, the "Three Friends of Winter" (pine, prunus and bamboo), flowers (especially the chrysanthemum, the national flower of Japan) and figural subjects such as the popular "Hob in the Well", illustrating a Chinese folk tale where a sage saves his friend who has fallen into a large fishbowl.However, because manufacture of NIGOSHIDE is difficult due to hard contraction of the porcelain body during firing, the production was discontinued from the former part of the 18th century to mid-20th century. In this period, Sakaida Kakiemon produced normal 'Akae' wares. Sakaida Kakiemon XIIand XIII attempeted to reproduce NIGOSHIDE and succeeded in 1953. It has been manufactured till now.
Kakiemon in Europe
The Kakiemon porcelain was imported into Europe. Augustus the Strong of Saxony and
Mary II of Englandboth owned examples. The earliest inventory to include Japanese porcelain in Europewas made at Burghley House, Lincolnshire, in 1688. These included a fabulous standing elephant with its trunk raised and a model of two wrestlers.
Wares included bowls, dishes and plates, often
hexagonal, octagonalor fluted with scalloped edges. The famed white "nigoshide" body was only used with open forms, and not for closed shapes such as vases, bottles and teapots, or for figures and animals. The hexagonal Kamiemon vases and covers known as "Hampton Court" vases were named after a pair at Hampton Court Palace, London, recorded in an inventory of 1696. Around 1730, this shape was copied at Meissen, Germany, which entered into a "sister city" contract with Arita, in 1979. The style was also adopted and copied in Chelsea and Worcesterin the 1750's and by Samson Ceramicsin the 19th century.Fact|date=February 2007
The Kakiemon porcelain proved a major influence on the new porcelain factories of the 18th-century
EuropeFact|date=September 2007. Meissen copies could be extremely close to the originals, alternatively the factory painters might just borrowed designs and use them with other shapes and styles.
Kakiemon style was also adapted in
Germanyand Austriaby the Du Paquier and " Viennafactories" and in Franceat Chantilly, Mennecy and Saint-Cloud. Kakiemon was also an influence on Dutch Delft pottery and Chinese export porcelain. Fact|date=February 2007
Members Of The Kakiemon Family
Kakiemon Sakaeda, The 1st Kakiemon
Sakaida Kakiemon XII
Sakaida Kakiemon XIV, who is a Living National Treasure in Japan
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kakiemon — kakièmon m DEFINICIJA vrsta japanskog bijelog porculana (izrađuje se u 17. st.), karakterističnih oblika, nekoliko odabranih boja s motivima proljeća ili lišća; popularan i kopiran na Zapadu ETIMOLOGIJA prema utemeljitelju stila Sakaida Kakiemonu … Hrvatski jezični portal
kakiemon — noun Usage: often capitalized Etymology: Sakaida Kakiemon fl1650 Japanese potter Date: 1890 a Japanese porcelain decorated with enamel … New Collegiate Dictionary
Kakiemon — Kaki|emon, japanisches Porzellandekor mit Überglasurfarben; wurde um 1640 von Mitgliedern der Familie Kakiemon in Arita entwickelt; in Meißen kopiert … Universal-Lexikon
Kakiemon — Ka|ki|e|mon [...ie...] das; s <nach der japan. Familie Kakiemon aus Arita, die das Dekor um 1640 entwickelte> japan. Porzellandekor mit Überglasurfarben … Das große Fremdwörterbuch
kakiemon — ˌkäkēˈ(y)āˌmän noun ( s) Usage: usually capitalized Etymology: after Sakaida Kakiemon fl 1650 Jap. potter : an enamel decorated Arita ware … Useful english dictionary
kakiemon — noun Japanese porcelain wares featuring enamel decoration … Wiktionary
kakiemon — ka·ki·emon … English syllables
Kakiemon ware — ▪ pottery Japanese porcelain made primarily during the Tokugawa period (1603–1867) by the Sakaida family, who established kilns at Arita, near the port of Imari in the province of Hizen (now in Saga prefecture). Typical dishes, bowls, and… … Universalium
Kakiemon-Porzellan — Als Kakiemon bezeichnet man bestimmte japanische Porzellane und ihre europäischen Nachahmungen, die sich daran orientierten. Der Name leitet sich von dem Familienbetrieb des Kakiemon Sakaida in der Nähe der Stadt Arita, Provinz Hizen, der einen… … Deutsch Wikipedia
Chantilly porcelain — French porcelain Chantilly plate 1750 1755. Rouen (1673–1696) Nevers Saint Cloud (1693–1766) Chantilly (1730–1800) Vincennes (1740–1756) Mennecy (1745–1765) Sèvres (1756–present) Etiolles (1770 ) … Wikipedia