- Things to Come
name = Things to Come
tagline = What will the next hundred years bring to mankind?
William Cameron Menzies
Raymond Massey Ralph Richardson Margaretta Scott Cedric Hardwicke| music = Arthur Bliss
United Artists(UK and US) | released = 20 February 1936(UK) 17 April 1936(US)
runtime = 117m 13s, edited to 108m 40s (original 1936 British release),
96m 24s (1936 US release),
92m 42s (current UK copyrighted version)| language = English
budget = £240,000 (estimated)
country = UK
amg_id = 1:49474
imdb_id = 0028358
"Things to Come" (1936) is a British
science fiction film, produced by Alexander Kordaand directed by William Cameron Menzies. The screenplay was written by H. G. Wellsand is a loose adaptation of his own 1933 novel" The Shape of Things to Come" and his 1931 non-fiction work, " The Work, Wealth and Happiness of Mankind". The film stars Raymond Massey, Ralph Richardson, Margaretta Scott, and Cedric Hardwicke. Christopher Fraylingof the British Film Institutecalls "Things to Come" "a landmark in cinematic design."
"Things to Come" sets out a
future historyfor the century following 1936. It is set in the fictional English city of 'Everytown' (based on London; St Paul's Cathedralis in the background) and, rather prophetically, begins in 1940 just as a global world warbreaks out.
In one scene, the pilot of a
biplaneshoots down a more advanced single-seater enemy bomber whom he stealthily caught from behind. The biplane pilot also happens to be a doctor. He lands his own plane and pulls the enemy pilot from the wreckage. Dwelling on the madness of war they hurry to put on their masks since poison gasis leaking from the bombs in the wreckage. A little girl joins them and the enemy pilot insists she wear his mask. The biplane pilot then hurries to get the girl and himself out of the danger zone, pausing to leave the enemy pilot a gun. The man dwells on the irony that he may have gassed the little girl's whole family and yet he has saved her. He then commits suicide.
The war lasts for decades, long enough for the remaining survivors to have forgotten the reasons for it in the first place.
Strategic bombingis so successful that civilisation on both sides is totally devastated. Humanity falls into a new Dark Agewhere the technology level is reduced to that of medieval times, symbolised with a car being drawn like a cart by a horse. There is even a medieval-type plague sweeping through the land, known as "the wandering sickness", which was spread by the enemy, who dropped bombs containing the virus from their few remaining aircraft.
1970, Everytown is run by a local warlord called Rudolf, a.k.a 'The Boss' or 'The Chief' (played by Ralph Richardson), who is at constant war with the "Hill People" and obsessed with repairing the remaining biplanes and capturing coal mines in order to convert the coal to petroleum for the aircraft. The Chief consolidated his power over Everytown after having eradicated "the wandering sickness" by shooting all those infected with the disease.
One day, a futuristic aeroplane lands outside the town. The Chief and the townspeople are incredulous when the pilot John Cabal (played by Raymond Massey) proclaims that the last surviving band of scientists have formed a society known as '
Wings over the World'. They are building a civilisation, based in Basra, Iraq, that has renounced war and outlawed independent nation-states. The Chief resists by making the pilot his prisoner, but the Chief's mechanic (whom he was using to repair biplanes from the war) escapes to Basra in a plane he was testing, and alerts Cabal's scientist friends to his capture.
Wings Over the World mount an attack upon Everytown, and the skies fill with futuristic aeroplanes and bomb the town with a sleeping gas known as "the Gas of Peace" to pacify it. The Chief orders his few biplanes to attack them, but they are all shot down.
The populace of Everytown awakens shortly thereafter, to find it occupied by the Airmen, and their Chief dead — presumably from a heart attack brought on by the belief that the gas was deadly, or maybe by suicide in the face of defeat. The mechanic who had escaped to bring the Airmen comments on the Chief's death, to which Cabal replies, "Yes, dead. And his world with him - and so the New World begins!".
A montage sequence follows showing decades of technological progress and human achievement, beginning with Cabal explaining the plans of the Global Conquest by the Airmen of Wings Over the World ("First this zone, then that!").
By 2036, mankind lives in underground cities. Everytown is one of them (the only one shown, with no information given on any others - or if there even are others), and the first flight to the
Moonis about to be launched from a space gunnearby. However, Ludditesamong the population fear this new technology, led by a sculptor who claims mankind needs a "rest" from further technological development, and that shooting people into the cold of space is not "natural". They start a riot, trying to destroy the space gun before it can be fired. The head scientist Cabal (the great grandson of the pilot in the previous section of the film, and also played by Massey) explains that the crowds are misguided and that technology has in fact saved humanity. He launches the space ship with his daughter and the daughter's boyfriend as the crew, and the blast from the launch knocks the crowd back.
The film ends with Massey's character delivering a speech to the idea of Progress and humanity's quest for knowledge, claiming that "if Man is merely an Animal then he must fight for every scrap of happiness he can, but if he is something more, then he must strive for more — the Universe or nothing - which shall it be?"
Raymond Masseyas John Cabal/Oswald Cabal
Edward Chapmanas Pippa Passworthy/Raymond Passworthy
Ralph Richardsonas Rudolf a.k.a. The Boss
Margaretta Scott(as "Margueretta Scott") as Roxana Black/Rowena Cabal
Cedric Hardwickeas Theotocopulos (replaced Ernest Thesiger)
*Maurice Braddell as Dr Edward Harding
*Sophie Stewart as Mrs Cabal
Derrick De Marneyas Richard Gordon
Ann Toddas Mary Gordon
*Pearl Argyle as Catherine Cabal
*Kenneth Villiers as Maurice Passworthy
*Ivan Brandt as Morden Mitani
Anne McLarenas Child (2036)
*Patricia Hilliard as Janet Gordon
*Charles Carson as Great-Grandfather (2036)
Patrick Barras World Transport official
John Clementsas Enemy pilot
*Antony Holles as Simon Burton
*Allan Jeayes as Mr. Cabal (1940)
*Pickles Livingston as Horrie Passworthy
*Paul O'Brien as Extra
George Sandersas Extra
Abraham Sofaeras Wadsky
Terry-Thomasas Extra, man of the future
Behind the scenes
Wells is assumed to have had a degree of control over the project that was unprecedented for a screenwriter, and personally supervised nearly every aspect of the film. Posters and the main title bill the film as "H. G. Wells' THINGS TO COME", with "an Alexander Korda production" appearing in smaller type. Wells's film treatment and selected production notes were published in book form in 1935, and was reprinted in 1975. An academic edition annotated by
Leon Stoverwas published in 2007.
In fact, Wells ultimately had no control over the finished product, with the result that many scenes, although shot, were either truncated or not included in the finished film. The rough-cut reputedly ran to 130 minutes; the version submitted to the
British Board of Film Censorswas 117m 13s; it was released as 108m 40s (later cut to 98m 06s) in the UK, and 96m 24s in the United States. The standard version available today is just 92m 42s, although some prints are in circulation in the United States - where the film is in the Public Domain- that retain the additional scenes that constitute the original American release.
Wells originally wanted the music to be recorded in advance, and have the film constructed around the music, but this was considered too radical and so the score, by
Arthur Bliss, was fitted to the film afterwards in a more conventional way. A concert suite drawn from the film has remained popular; as of 2003, there are about half-a-dozen recordings of it in print.
After filming had already begun, the Hungarian abstract artist
László Moholy-Nagywas commissioned to produce some of the effects sequences for re-building of Everytown. Moholy-Nagy's approach was partly to treat it as an abstract light show but only some 90 seconds of material was used (e.g. a protective-suited figure behind corrugated glass), although in the autumnof 1975 a researcher found a further four discarded sequences.
last = Frayling
first = Christopher
authorlink = Christopher Frayling
title = Things to Come
British Film Institute
date = 1995
id = ISBN 0-85170-480-8
pages = 72-73 ]
The film, written throughout 1934, is notable for predicting
World War II, being only 16 months off by having it start on 23 December 1940, rather than 1 September 1939. Its graphic depiction of strategic bombingin the scenes in which Everytown is flattened by air attack and society collapses into barbarism, echo pre-war concerns about the threat of the bomberand the apocalyptic pronouncements of air power prophets. Wells was an air power prophet of sorts, having described aerial warfare in " Anticipations" (1901) and " The War in the Air" (1908).
The use of
gas bombs is very much part of the film, from the poison gasused early in the war to the sleeping gas used by the airmen of Wings Over the World. In real life, in the build-up to the Second World War, there was much concern that the Germans would use poison gas, which they had done during the Great War. Civilians were required to carry gas masks and were trained in their use. When war did break out, however, the Germans did not use gas for military purposes.
The single world government having engineers, scientist and inventors as the rulers mimics the ideology of the concept of Technocracy where those of the greatest skill and intellect in various vocations would be the leaders.
Wings Over the World is based in
Basra, in southern Iraq, from where it begins a new civilisation. Southern Iraq was also the home of one of the world's first known civilisations, Sumer.
Duration history and surviving versions
The rough-cut of the film was 130 minutes in length, while the version submitted for classification by the
British Board of Film Censors(BBFC) was 117m 13s. [" [http://www.bbfc.co.uk/website/Classified.nsf/0/8E7E5A2977A61CC1802566C80032E39F Things to Come] " at BBFC] By the time of the 21 February 1936 UK premiere and initial release, this had been reduced to 108m 30s, ["The History of the British Film 1929-1939", Rachel Low (George Allen & Unwin, London, 1985)] while the American print premiered on 18 April 1936 was further cut to 96m 24s. By late-1936 a 98m 06s print was in circulation in the UK, ["The History of the British Film 1929-1939", Rachel Low (George Allen & Unwin, London, 1985)] and a 72m 13s print was resubmitted for classification by the BBFC and was passed after further cuts for reissue in 1943. A 92m 42s print - cut down from the 96m 24s American print by the removal of four sections of footage - was subsequently reissued in America and the UK in 1947 and 1948 respectively. A continuity script exists for a 104m 41s version of the film, which contains all the material in the 96m 24s and 92m 42s versions, plus a number of other sequences. It is not known if a version of this duration was actually in circulation at any time.
Although the film lapsed into the
public domainin the United States in 1964 [see Copyright Act of 1909] , copyright remained in force in the United Kingdom, the European Union, and elsewhere. In the UK, film copyright subsists for seventy years after the year of release, or the death of either the director, the writer (or author of original story), or the composer of original music, whichever is the latest. As the composer, Arthur Bliss, did not die until 1975, copyright does not expire until 2045. The film came back into copyright in 1996 in the United States under the Uruguay Round Agreements Act. [ [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm Copyright Term and the Public Domain in the United States] ] In early 2007, Legend Filmsin the United States released a "colourised" version (supervised by Ray Harryhausen) of a cut copy of the 92m 42s print on DVD. This would count as a newly copyrighted work in AmericaFact|date=July 2008, if it were not for the fact that the underlying film is not in the public domain.
For many years, the principal surviving version of the film was the 92m 42s print. Since at least the late-1970s, this has been the only version "officially" available from the rights holders in the UK, and has been widely available via
home videoand television screenings, both in the UK and elsewhere (in countries using PALor SECAMvideo systems, it runs to 89m exactly).
In the United States, although the 92m 42s version is most prevalent, a version is also in circulation that includes the four pieces of footage that were in the 96m 24s print, but not the 92m 42s version, although due to cuts elsewhere it actually runs shorter than the latter. A cut version of the 92m 42s print was digitally restored and
film colorizationby Legend Filmsand released on DVD in the United States in 2007.
In May 2007,
Network DVDin the UK released a digitally-restored copy of the 96m 24s version, which to date is the longest version available on DVD anywhere in the world. The two-disc set also contains a "Virtual Extended Version" with most of the missing and/or unfilmed parts of the film represented with production photographs and script extracts.
H. G. Wells' The Shape of Things to Come", a Canadian science fiction film from 1979 which was also (extremely loosely) based upon Wells's novel.
*imdb title|id=0028358|title=Things to Come
*amg title|id=1:49474|title=Things to Come
* [http://www.625.org.uk/ttc/ttcfsint.htm "Things to Come" - The "Film Story" ]
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