"See Tagore for disambiguation"
name = Jyotirindranath Tagore
image_size = 170px
May 4, 1849
March 4, 1925
occupation = Playwright, musician, editor and painter
spouse = Kadambari Devi
Jyotirindranath Tagore ( _bn. জ্যোতিরিন্দ্রনাথ ঠাকুর) (
May 4, 1849– March 4, 1925) was a playwright, a musician, an editor and a painter.cite web
url = http://banglapedia.search.com.bd/HT/T_0019.htm
title = Jyotirindranath Tagore
accessdate = 2007-04-24
last = Dastider
first = Shipra
work = Banglapedia
publisher =Asiatic Society of Bangladesh] Endowed with an outstanding talent, he had the rare capability of spotting talent in others. He played a major role in the flowering of the talents in his younger brother, the first Asian
Nobel Prizewinner Rabindranath Tagore. Bandopadhyay, Hiranmay, "Thakurbarir Katha", Bn icon, pp. 106-113, Sishu Sahitya Sansad. ]
The grandson of
Dwarkanath Tagoreand the fifth son of Debendranath Tagore, Jyotirindranath was born in the Tagore familyof Jorasanko, in Kolkata(then known as Calcutta). When viewed against the exceptionally brilliant achievements of his younger brother, Rabindranath Tagore, he loses much of his shine. However, having been born in the same family and being twelve years his senior, Jyotirindranath assisted in the development of his younger brother with examples, encouragement and companionship. [ Deb, Chitra, "Jorasanko and the Thakur Family", in "Calcutta, the Living City", Vol I, edited by Sukanta Chaudhuri, p66, Oxford University Press, ISBN 0195636961 ] Two of their elder brothers - poet and philosopher Dwijendranath Tagoreand the first Indian ICS officer and musician Satyendranath Tagore- were brilliant and renowned in their own right. His younger sister, Swarnakumari Devi, was a well-known writer and musician. [ Bandopadhyay, Hiranmay, "Thakurbarir Katha" pp. 92-95, 95-96, 98-99, 119]
In early childhood he was taught at home by his elder brother Hemendranath. Thereafter, he studied at St. Paul’s and Montague’s school, and passed Entrance Examination (school leaving or university entrance) from Hindu School in 1864. The renowned historian and writer Romesh Chunder Dutt was his class friend. While studying for the First Arts examination in Presidency College, he developed interest in the theatre and left his studies. Sengupta, Subodh Chandra and Bose, Anjali (editors), 1976/1998, "Sansad Bangali Charitabhidhan" (Biographical dictionary) Vol I, Bn icon, pp. 184-185, ISBN 8185626650 ]
Involvement with the theatre
Jyotirindranath was attracted towards the theatre from his student days.He formed a home theatre group and staged dramas.One of his cousins Ganendranath established the Jorasanko Natyasala in 1865. The first play to be staged was "Krishnakumari" by
Michael Madhusudan Dutta. Jyotirindranath acted in the role of Ahalyadevi, a brave queen. His early success developed in him a determination to be one of greatest playwrights in his age. [cite web
url = http://banglapedia.search.com.bd/HT/T_0148.htm
title = Theatre Stage
accessdate = 2007-04-24
last = Mukhopadhyay
first = Ganesh
work = Banglapedia
publisher =Asiatic Society of Bangladesh]
Ganendranath was also one of the founders of
Hindu Mela. He drew Jyotirindranath into it at a young age. At Nabagopal Mitra’s request, Jyotirindranath recited poems he composed. The entire process enhanced his sense of patriotism and he started writing plays with a patriotic fervour. The other trend he followed was composition of plays with satire. It was not enough to write plays, those had to be staged and so, he developed a cultural organisation and named it Bidvajjan-Samagam in 1874. The organisation also provided Rabindranath an opportunity to stage some of his early plays and dance dramas. He was elected a secretary of Hindu Mela in the ninth year of existence.
Jyotirindranath wrote popular plays such as "Purubikram" (1874), "Sarojini" (1875), "Ashrumati" (Woman in tears, 1879), "Swapnamayi" (Lady of Dream, 1882). His noteworthy satires include "Kinchit Jalajog" (Some Refreshments, 1873), "Eman Karma Ar Korbo Na" (I will never do such a thing again 1877), "Hathath Nabab" (Suddenly a Ruler, 1884), "Alik Babu" (Strange Man, 1900). His plays were extremely popular and were accepted by the commercial stage. "Hathath Nabab" was based on Moliere’s "
Le Bourgeois Gentilhomme" Devi Choudhurani, Indira, "Smritisamput", Bn icon, Rabindrabhaban, Viswabharati, Notes p. 201 ]
"Purubikram" is story of the brave Punjab
King Porus(Porus is called “Puru” in Bengali) who stood up to Alexander the Great. It was first staged by the Bengal Theatre in 1874.
"Sarojini" is a tragedy about the suicides (known as jauhar) committed by the
Rajputwomen when defeated by invaders in order to avoid indignities. Sarojini was daughter of Rana Lahshman Singh of Mewarin Rajasthan. She and many others committed suicide when the Rana was defeated by Alauddin Khilji.
There is an interesting episode related to "Sarojini". Rabindranath, then a young student, used to study in a room next to where Jyotirindranath worked. Quite often the younger brother listened to what went on in the other room. Once when "Sarojini" was under preparation Rabindranath proposed that the scene showing Rajput women entering the burning flames of cremation to commit suicide could not be portrayed properly in prose form, it had to be presented in the form of a song. He himself composed a song for that part of the play and Jyotirindranath readily incorporated it.
"Ashrumati" is a legendary-imaginary play about the love affair of a Hindu girl with a Muslim boy, and the girl is torn between her love and her loyalty to her father. However, the Rana family of Rajasthan took offence to the girl being mentioned as being from their family and Jyotirindranath had to tender an apology for that.
"Alik Babu" covers such social issues as the remarriage of widows. The universal power of love irrespective of caste and creed has been presented in the play. His plays continue to be staged in both Bangladeshcite web
url = http://www.newagebd.com/2006/jan/29/time.html
title = Alik Babu - An almost flawless presentation
accessdate = 2007-04-24
last = Rosan
first = Robab
publisher = New Age ] and West Bengal. [Roy, Kumar, "Five Decades of Calcutta Theatre", in "Calcutta, the Living City", Vol II, edited by Sukanta Chaudhuri, 1990/2005, p.289, Oxford University Press, ISBN 019 563697 X. ]
Translation and editing
In 1867, while staying with his elder brother Satyendranath Tagore in
Ahmedabad, he learnt many things – how to play the sitar and painting. He picked up the French and Marathi languages.He translated books from different languages into his native Bengali, the focus being on plays. From English he translated Marcus Aurelius’ " Meditations", Shakespeare’s "Julius Caeser". Apart from Pierre Lotiand Théophile Gautier, he translated many books on history, philosophy and travels, novels and short stories from French.
Between 1899 and 1904, he translated seventeen major Sanskrit dramas into Bengali. It included Kalidas’s "
Abhijñānaśākuntalam" (The Recognition of Shakuntala) and "Malati Madhava" (Malati and Madhava), and Sudrak’s "Mrichhatika" (Little Clay Cart).
His elder brother Dwijendranath was editor of
Tattwabodhini Patrika. Jyotirindranath proposed a new magazine, "Bharati" in 1877. Although Dwijendranath was its editor, it was effectively run by the younger brother. [ Bandopadhyay, Hiranmay, p. 96. ] He was the vice-president of the Vangiya Sahitya Parishadin 1902 – 03. He worked actively in a literary organisation called Saraswata Samaj, established in 1882, dedicated to enriching the Bengali language and literature. Jyotirindranath has 46 volumes of published works to his credit, including translations.
Jyotirindranath always attended a literary majlis (gathering) in the house of his elder brother
Satyendranath Tagore. Others who attended it were Dwijendranath Tagore, Balendranath Tagore, Sarala Devi, Jagadindranath Ray, Lokendranath Palit, Sharatkumari Choudhurani, and Pramatha Chowdhury. [Ghosh, Tapobrata, "Literature and Literaray Life in Calcutta", in "Calcutta, the Living City", Vol II., p. 224. ]
The resonance of music in the
Jorasanko Thakur Barienvironment was a gift of Jyotirindranath. His companion in the cultivation of literature and music was Akshay Chandra Chaudhuri. Later, when Rabindranath crossed the threshold of childhood and grew a little, he joined them. The system they followed was that Jyotirindranath composed a tune on the piano. Akshay and Rabindranath tried their best to incorporate the tunes into word-patterns. Twenty songs of Rabindranath’s dance drama "Mayar Khela" were based on tunes composed by Jyotirndranath.
Their elder brother, Dwijendranath , was the pioneer in developing notations for Bengali music. He modified and developed the system of notations. He compiled a book with songs and swaralipi (Bengali musical notations) of several composers,
Dwarkinpublished it as "Swaralipigitimala". In 1879, the organisation also published a magazine on musical matters, "Binabadini", edited by Jyotirindranath Tagore. It is claimed to be one of the first such magazines in Bengali. He published another magazine on music, "Sangeet Prakashika". He composed many songs for use with prayers of the Brahmo Samaj. Some of them based on Hindustani classical tunes.He founded the Bharatiya Sangit Samaj (Indian music society) in 1897 to work on Indian music.His songs are available in a CD.
One of the foremost musicologists of Kolkata, as well as a classical singer [Author introductions in "Calcutta, the Living City", Vol I. ] Rajyeswar Mitra opines, “At this stage too, we find the rise of a celebrated line of musical and dramatic culture in the house of the Thakurs (Tagores), which was much more polished and enlightened in character than most other such houses. The chief architect of this development was Jyotirindranath Thakur (1849 – 1925), Rabindranath’s elder brother. Although the entire process emanated from an aristocratic circle, the songs obtained wide circulation in society generally. Indeed their greatest service was to create a common taste for refined lyrics relying on a polished and melodic line. The perfection of this course lay, of course, in the work of Rabindranath Thakur (1861 – 1941).” [Mitra, Rajyeshwar, "Music in Old Calcutta" in "Calcutta, the Living City", Vol I, pp. 184-185. ]
He was attracted towards drawing and sketching. He sketched the portraits of many persons in the family. Of Rabindranath there are numerous sketches in different styles. He drew the sketches of plain folk around him, including the employees of his shipping firm. Around 2,000 sketches of his are preserved in the
Rabindra Bharati Universitymuseum. Some of his sketches were published in "Bharati" in 1912. William Rothensteinhappened to see them and evinced interest in them. He wanted to see more of his sketches. When Rabindranath proceeded for his third visit to England the same year, he carried a bunch of sketches prepared by Jyotirindranath. Rothenstein was highly impressed and with his assistance the book "Twenty-five collotypes from the original Drawings of Jyotirindranath Tagore" was published in England. Ghosh, Siddhartha, "Calcutta’s Industrial Archaeology", in "Calcutta, the Living City", Vol I, p. 250. ]
His grandfather Dwarkanath Tagore was a pioneering and legendary figure in business activities. He had earned so much and lived so lavishly that people called him ‘Prince’. Jyotirindranath earned some profits from indigo cultivation. He could not continue with indigo cultivation as result of the drop in demand subsequent to discovery of chemical indigo in Germany. He was eager to invest his profits in some business venture. At that time, there was a need for a steamer link between
Khulnaand Barisal(both the places are now in Bangladesh).
He bought the shell of a steamer and on fitting it with engines was pressed into service as "Sarojini". That was in 1884. An English company Flotila also entered the fray and soon competition emerged. Jyotirindranath bought four more steamers. After naming them "Swadeshi", "Bharat", "Bangalakshmi" and "Lord Ripon", those were launched in his steamer company. Both the companies started reducing the fares. Jyotirindranath started incurring heavy losses but still persisted with the business. In 1889, while cruising in the
Hooghly River, "Swadeshi" hit a jetty and sank. At that point of time, Flotila offered a fair price for his other steamers. Jyotirindranath sold them and opted out of the competition.
Jyotirindranath was married to Kadambari Devi on 5 July 1868. Bandopadhyay, Hiranmay, "Thakurbarir Katha", pp. 113-118] He not only arranged for her education, but also taught her horse-riding in the public grounds of Kolkata, defying the conservative society of the time.She committed suicide on 19 April 1884.
Ever since his wife died he was very close to Satyendranath’s family. As he had no children of his own he enjoyed the company of Stayendranath’s children. In later life, he built a house named Santidham on Morabadi Hill in
Ranchiand lived there. Satyendranath used to give him company quite often. He died in that house. Devi Choudhurani, Indira, "Smritisamput", p. 29 ]
Historical plays -"Purubikram" (1874), "Sarojini" (1875), "Ashrumati" (Woman in tears, 1879), "Swapnamayi" (Lady of Dream, 1882).
Satirical plays - "Kinchit Jalajog" (Some Refreshments, 1873), "Eman Karma Ar Korbo Na" (I will never do such a thing again 1877), "Hathath Nabab" (Suddenly a Ruler, 1884), "Alik Babu" (Strange Man, 1900).
Translations - Kalidas’s "
Abhijñānaśākuntalam" (The Recognition of Shakuntala) and "Malati Madhava" (Malati and Madhava); Sudrak’s "Mrichhatika" (Little Clay Cart); Marcus Aurelius’ " Meditations", Shakespeare’s "Julius Caeser"; Bal Gangadhar Tilak’s "Geetarahasya".
NAME= Jyotirindranath Tagore
SHORT DESCRIPTION= Playwright, musician, editor and painter
DATE OF BIRTH= 4 May 1849
PLACE OF BIRTH= Kolkata
DATE OF DEATH= 4 March 1925
PLACE OF DEATH= Ranchi
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