Punk rock in Yugoslavia
Punk in Yugoslavia is the
punk subcultureof the former Socialist Federal Republic of Yugoslavia(a state that existed until 1991). The most developed punk scenes across the federation existed in Socialist Republic of Slovenia, the Adriatic coastof Socialist Republic of Croatia, the Socialist Autonomous Province of Vojvodina, the capital of Belgradeand other places.Notable acts include: Pankrti, Paraf, Pekinška patka, KUD Idijoti, Niet, Patareniand KBO!.
Socialist Federal Republic of Yugoslaviawas never part of the Eastern Bloc, and it was open to western influences. The Yugoslav pop and rockscene was socially accepted, well developed and covered in the media. The former Yugoslav punk scene emerged in the late 1970s, influenced by the first wave of punk rock bands from the United Kingdomand United States, such as Sex Pistols, The Clash, The Damned, Ramones, Generation X, The Ruts, Buzzcocksand The Jam, as well as the proto-punkacts such as The Stoogesand the New York Dolls. The DIY punkzinescene also started to develop in Yugoslavia.
The Yugoslav punk bands were the first punk bands ever formed in a
socialist state. Some of the first ones were formed in the then SR Sloveniaand SR Croatia: Pankrtifrom Ljubljana, formed in 1977, and Paraffrom Rijeka, depending on the source, formed in 1976 [http://www.rirock.com/izvodjaci/paraf/] or 1977. [http://www.geopoetika.com/book.php?id=99] . The Slovenian and Croatian scene of the day was featured in the " Novi Punk Val" compilation album, compiled by Igor Vidmar, which included Pankrti, Paraf, Buldogi, Termiti, Berlinski Zid, Grupa 92and Prljavo Kazalište. The late-1970s and early 1980s bands from Belgrade, the capital of both SR Serbiaand Yugoslavia included: Defektno Efektni, Urbana Gerilaand Radnička Kontrola(feat. Cane who later came into prominence as frontmanof Partibrejkersand Srđan Todorović, later an eminent movie actor). This generation of bands was included on the " Artistička Radna Akcija" compilation. Električni Orgazamwas also a punk band during its early period, although it changed to a more mainstreamact later. Prominent Serbian punkabillyartist was Tonny Montanofrom Belgrade, formerly a singer of Radost Evrope. From Novi Sad, SAP Vojvodina, used to be the group Pekinška patka, which was led by the charismatic Profesor Čonta. In Serbia Proper, in Šabac, emerged the notable Yugoslav punk writer Ivan Glišić.
The first punk band in
Skopje, Socialist Republic of Macedoniais considered to be Fol Jazik, formed in 1978. Other notable acts from Skopje included Badmingtonsand Saraceni, both led by Vladimir Petrovski Karter. The bass player of Saraceni, Goran Trajkoski, previously played in the punk band Afektiven nabojfrom Struga. Later he was the frontman of Padot na Vizantijaand rose to international prominence as the frontman of Anastasia and Mizar. In Sarajevo, Socialist Republic of Bosnia and Herzegovina, the following artists emerged: Ozbiljno pitanje(which later evolved into Crvena Jabuka), Ševa (which later evolved into Bombaj Štampaled by Branko Đurić), and the cult band Zabranjeno Pušenje. These Sarajevian bands later formed the punk-inspired New Primitivesmovement.
In the late
1970s, some punk bands were affiliated with the Yugoslav New Wavescene, and were labeled as both punk rock and new wave. During a certain period, the term " New Wave music" was interchangeable with "punk". The most important record of the Yugoslav New Wave era is " Paket Aranžman".
The end of the 1970s and the beginning of the 1980s saw the emergence of various subgenres of punk rock, such as
streetpunkand Oi!later followed by: hardcore punk, crust punkall the way to crossover thrashand grindcore. Notable acts during the 1980s included, the hardcore punk bands such as Niet, Odpadki Civilizacije, Tožibabe, Epidemija and U.B.R. from Ljubljana, S.O.R. from Idrijaand Ujetniki svobode from Laško, Slovenia; Patareni from Zagreb, KUD Idijotifrom Pulaand Apatridi from Slavonska Požega, Croatia; The Dissidents from Prijedorand Ženevski Dekret from Mostar, Bosnia and Herzegovina; KBO!and Trula koalicija from Kragujevac, Serbia Proper; Giuseppe Carabino, Marselyeza and Proces from Subotica, Incest from Novi Bečejand Napred U Prošlost from Banatsko Novo Selo, Vojvodina; and the Oi!/streetpunk bands Dva minuta mržnje, Vrisak generacije and Ritam Nereda (all three from Novi Sad, Vojvodina). A notable mainstream pop punkband was Psihomodo Popfrom Croatia (heavily influenced by the Ramones).
Many eminent foreign
punk bandsplayed concerts in the former Yugoslavia in the late 1970sand throughout the 1980s, including: The Ruts, Siouxsie & the Banshees, UK Subs, Angelic Upstarts, The Exploited, Charged GBH, The Anti-Nowhere League, Discharge, Youth Brigadeand Amebix. In 1983The Anti-Nowhere League released their album " Live in Yugoslavia", while Angelic Upstarts released a live album with the same title in 1985.
As the other punk rock artists around the world, the Yugoslav ones also included
social commentaryin their songs. Anarcho-punkand Straight Edgescenes also existed, while some bands were just nihilistic. The Yugoslav punk rock and hardcore punk lyrics often featured social and political criticism, anti-war, anti-chauvinist, anti-autohritarian and libertarianmessages, which can be also seen by the bands' names, such as: Vrisak Hirošime (Cry of Hiroshima), Apatridi ( Stateless persons), The Dissidents ( Dissidents), Patareni ( Patarenes), Marselyeza ( La Marseillaise), Stres Državnega Aparata (Stress Of The State Apparatus), Sistem Organizirane Represije (System Of Organized Repression) etc. There were also some apoliticalbands whose songs dealt with personal subjects, humour, sexor just innocent youth rebellion.
Nazi punk affair
A great scandal emerged all over Yugoslavia, when the authorities arrested a
Nazi punkand Nazi skinhead-oriented group called The Fourth Reich in Ljubljana, Socialist Republic of Sloveniain 1981. The band itself was obscure and irrelevant, it was put on trial and imprisoned before releasing any recordings or playing live, hence leaving no legacy, and it did not have a support within the punk community. They were also once turned down by the notable promoterand Pankrti's manager Igor Vidmar, who refused to sign them because he disapproved their racistlyrics. [http://members.iinet.net.au/~predrag/vidmar.html] Although the existence of the punk subculturewas generally tolerated in Yugoslavia, with occassional mild cases of censorship, the one-party system still viewed it with certain degree of suspicion because of its "in-your-face" attitude, clothing, music and way of life which differed from the established image of model citizens. Thus, the authorities used this incident as an opportunity to label the punk movement as subversiveand as a pretext to impose indiscriminate opression on all punks and skinheads who began to be perceived as potential enemies of the state, although the overwhelming majority of them was actually anti-fascist. For example, both Pankrti and KUD Idijotihave their respective cover versions of the Italian revolutionary song " Bandiera Rossa".
This led to
moral panic. The authorities' reaction to punks, labelling them as "fascists", reached its most absurd point in the prosecution of the aforementioned Igor Vidmar, who was bizzarely arrested for wearing the Dead Kennedys' " Nazi Punks Fuck Off!" badge with a swastikacrossed out. [http://www.hartford-hwp.com/archives/62/066.html] That anti-fascist badge was falsely interpreted as a nazi provocation and Vidmar was detained.
Despite the affair, which faded after a certain period anyway, the Yugoslav punk scene continued to exist successfully (although with less mainstream media coverage). While the first generation of groups such as Pankrti,
Paraf, Prljavo kazališteand Pekinška patkawere quite well exposed in the media, having appearances and music videoson the national TV stations and record contracts for major labels such as Jugoton, Suzy Recordsand ZKP RTL, the artists that came after the affair emerged, faced various problems and some succeded to gain prominence only in the underground musiccircles. Apart from the affair, another reason for this is that some mainstream media began to consider punk as fad, as the initial punk euphoria of The Sex Pistolsand The Clashwas already gone, so they turned their interest to other styles such as: post-punk, new romantic, synthpop, darkwaveand gothic rock, leaving much of the new generation of streetpunkand hardcore punkacts underestimated or unnoticed.
1980sand early 1990ssaw transition to parliamentary democracywhich brought further liberalisation in the country, but also rise of extreme nationalism, previously kept under control by the communist regime. These processes led to the disintegration of SFR Yugoslavia.
In an interview published in the
post-communistand post-Yugoslav period, despite the troubles he once had with the previous system, Vidmar was quoted saying: "It is an irony that it is harder to work now in this liberal democracy, than in the last 10 years of SFRY's communism". [http://arhiva.glas-javnosti.co.yu/arhiva/2001/06/24/srpski/K01062310.shtml]
The punk scene of the
Socialist Federal Republic of Yugoslaviaceased to exist with the country's violent breakup in the early 1990s. Many of its former adherents participated in anti-warand anti-nationalist activities, and were often attacked by the nationalists in their countries. In 1992, the supergroup Rimtutitukifeaturing members of Partibrejkers, Električni orgazamand other notable acts released a pacifistsingle, but since the authorities didnt allow them to promote it with a gig they performed on a trucktrailer driven through the streets of Belgrade, as their stage. A 1993compilation of anti-war punk songs, "Preko zidova nacionalizma i rata" (Over the walls of nationalism and war) featured bands from the ex-Yugoslav countries. However, some individuals previously involved in the Yugoslav punk scene even fought in the Yugoslav wars. One example is Satan Panonski, a charismatic and controversial punk singer and poet from Vinkovci, Croatia, who had a cult statusin the former Yugoslav punk scene. A former convict charged with murder who spent several years in mental institutions, he was an outspoken opponent of any national chauvinism and was openly a homosexual. However, after the Croatian War of Independencebegan, he joined the Croatian forces and was killed under unknown circumstances. Before his death, he was a close friend of Ivan Glišić, a notable punk writer from Serbia.
The local scenes in the independent countries that emerged after the breakup of Yugoslavia continued to exist, some of them heavily suffering during the war. The
underground musicscene continued even in the shelters during the Sarajevo siegeand a compilation album "Rock under siege" (Radio Zid Sarajevo, Stichting Popmuziek Nederland) including the punk band Protest was released in 1995.
Slovenia, Croatia, Macedonia and Bosnia and Herzegovinaproclaimed independence, and SFR Yugoslavia was dissolved, a new federal state comprising only Serbia and Montenegro named Federal Republic of Yugoslaviawas established, however it was not recognized as a legal succesor to SFR Yugoslavia. [http://www.securitycouncilreport.org/atf/cf/%7B65BFCF9B-6D27-4E9C-8CD3-CF6E4FF96FF9%7D/UNMembers%20SRES777.pdf] It existed from 1992until 2003. Notable punk bands in the Federal Republic of Yugoslavia included: Atheist rap, Ritam Neredaand Zbogom Brus Lifrom Novi Sad; Direktoriand Šahtfrom Belgradeand Goblinifrom Šabac. Some of them were formed during the previous Yugoslav federation, and some still exist in the 2000s. Many bands in this period openly opposed the regime of Slobodan Miloševićand criticized chauvinism and militarism, but there were some who espoused radical Serbian nationalism.
After the end of the conflicts and especially later, after the departure of the nationalist leaders such as
Slobodan Miloševićand Franjo Tuđman, the former Yugoslavnations started to normalise their relations. Thus their music scenes (this time both mainstream and underground) could freely restore their former cooperation. Anti-Nowhere Leaguecame once again on former Yugoslav soil (in Croatia) and released their live album Return to Yugoslavia. In 2003Igor Mirković from Croatia made the rockumentary Sretno dijete(Happy Child) named after a song by Prljavo Kazalište. The movie covers the early Yugoslav Punk and New Wave scene feat. eminent artists from Zagreb, Ljubljanaand Belgrade. Inspired by "Sretno dijete", rockumentary " Bilo jednom..." was made in 2006, featuring punk-rockers from Novi Sad, who were active during the first half of the 1990s.
Current notable acts in the former Yugoslav countries:
Hladno pivo, KUD Idijoti, Let 3(feat. the former Termiti member Damir Martinović Mrle), Fat Prezident, Overflow, FOB, Grupa tvog života and Gužva u 16-ercu from Croatia; Superhiks, Two Sides and Dennytechuva from the Republic of Macedonia; Red Union, Zbogom Brus Li, Atheist Rap, Six Pack, Mitesers, Ska Ringišpil, The Bayonets from Serbia, and others.
Pankrtiplayed a reunion concert in Tivoli Hall in Ljubljana, Sloveniaon December 1, 2007 as a celebration of their 30th anniversary. They also had a tour across parts of former Yugoslaviawith Ivan Kral, who previoulsy played with Patti Smith, Blondieand Iggy Pop, as the band's new guitarist. [http://www.vojvodina.com/naslovna/arhiva8/071210.html] [http://www.popboks.com/vest.php?ID=6125] Meanwhile, in Skopje, Republic of Macedonia, the group Badmingtonsreformed and their music was included in the soundtrackfor the feature film "" ("Upside Down") directed by Igor Ivanov Izy. At the Exit festivalin Novi Sad on July 13 2008, Pekinška patkaplayed a reunion concert, sharing the stage with the Sex Pistolswho played afterwards that evening.
* [http://www.imdb.com/title/tt0180633/ Dečko koji obećava]
* [http://www.imdb.com/title/tt0087898/ Pejzaži u magli]
* [http://www.imdb.com/title/tt0158610/ Kako je propao Rocknroll]
* [http://www.bilojednom.info Bilo jednom...]
* Dragan Pavlov and Dejan Šunjka. (1990) "Punk u Jugoslaviji" (Punk in Yugoslavia). Yugoslavia: IGP Dedalus.sr icon hr icon sl icon
* [http://www.geopoetika.com/book.php?id=99 Janjatović, Petar. "Ilustrovana Enciklopedija Yu Rocka 1960-1997", publisher: Geopoetika, 1997] sr icon
*Janjatović, Petar. "EX YU ROCK enciklopedija 1960-2006". ISBN 978-86-905317-1-4
*Janjatović, Petar. "Drugom stranom - Almanah novog talasa u SFRJ" (co-authors
David Albahariand Dragan Kremer), 1983
*Sava Savić and Igor Todorović "Novosadska punk verzija" (Novi Sad Punk version), publisher: [http://www.skcns.org.yu/ Studentski Kulturni Centar Novi Sad] , 2006 ISBN 86-85983-05-3
SFR Yugoslav Pop and Rock scene
Yugoslav New Wave
Novi Punk Val
Artistička Radna Akcija
Neue Slowenische Kunst
* [http://members.iinet.com.au/~predrag/vidmar.html Uzurlikzurli! Interview with Igor Vidmar]
* [http://members.iinet.net.au/~predrag/yugo.html Uzurlikzurli! E-zine about the former Yugoslav Underground]
* [https://www.profaneexistence.com/PE28OGB.html Over the Walls of Nationalism and War] on
* [http://www.terapija.net/mjuzik.asp?ID=319 "Paket Aranžman" and "Artistička radna akcija" review at terapija.net e-zine] hr icon
* [http://www.mizar.com.mk/tekst.asp?lang=mac&tekst=31 Member biographies - Mizar official site] mk icon
* [http://www.mladina.si/tednik/200147/clanek/kuzla/ 25th Anniversary of Punk: Interview with the first punk rocker in Slovenia - Mladina magazine November 26, 2001] sl icon
* [http://balkansnet.org/rock.html The Yugoslav punks, skins and football hooligans and the Yugoslav Wars at Balkansnet.org]
* [http://balkansnet.org/dajgudre.html "Rock under siege", Sarajevo]
* [http://punklektira.topcities.com/ Hrvatska Punk Lektira]
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