- Savoy Theatre
name = Savoy Theatre
caption = The Savoy Theatre, 1881
address = Savoy Street
city = Westminster,
latitude = 51.510139
longitude = -0.121
architect = C. J. Phipps
Ambassador Theatre Group
capacity = c. 1,150 on 3 levels
West End theatre
opened = 10 October 1881
rebuilt = 1929 Frank Tugwell 1990 William Whitfield
production = Never Forget
website = www.theambassadors.com/savoy
The Savoy Theatre is a
West End theatrelocated in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881and was built by Richard D'Oyly Carteon the site of the old Savoy Palaceas a showcase for the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy Operas as a result.
The theatre was the first theatre, and the first public building in the world, to be lit entirely by
electricity."The Savoy Theatre", " The Times", 3 October 1881] In 1889, Richard D'Oyly Carte built the Savoy Hotelnext to the theatre. For many years, the Savoy was the home of the D'Oyly Carte Opera Company, and it was run by the Carte family for over a century. Richard's son Rupert D'Oyly Carterebuilt and modernised the theatre in 1929, and it was rebuilt again in 1993 following a fire.
Apart from "
The Mikado" and other famous Gilbert and Sullivan premières, the theatre has hosted such notable premières as Noel Coward's " Blithe Spirit" in 1941. In recent years it has presented opera, Shakespeareand other non-musical plays and musicals. Today, the theatre is owned by the Ambassador Theatre Group.
History of the site
House of Savoywas the ruling family of Savoydescended from Humbert I, Count of Sabaudia (or "Maurienne"), who became count in 1032. The name Sabaudia evolved into "Savoy" (or "Savoie"). Count Peter (or "Piers" or "Piero") of Savoy (d. 1268) was the maternal uncle of Eleanor of Provence, queen-consort of Henry III of England, and came with her to London. King Henry made Peter Earl of Richmondand, in 1246, gave him the land between The Strand and the Thameswhere Peter built the Savoy Palace in 1263. On Peter's death, the Savoy was given to Edmund, 1st Earl of Lancaster, by his mother, Queen Eleanor. Edmund's great-granddaughter, Blanche, inherited the site. Her husband, John of Gaunt, 2nd Duke of Lancaster, built a magnificent palace that was burned down by Wat Tyler's followers in the Peasants' Revolt of 1381. King Richard II was still a child, and his uncle John of Gaunt was the power behind the throne and so a main target of the rebels.
In about 1505, Henry VII planned a great hospital for "pouer, nedie people", leaving money and instructions for it in his will. The hospital was built in the palace ruins and licensed in 1512. Drawings show that it was a magnificent building, with a dormitory, dining hall and three chapels. Henry VII's hospital lasted for two centuries but suffered from poor management. The sixteenth-century historian Stow noted that the hospital was being misused by "loiterers, vagabonds and strumpets". In 1702 the hospital was dissolved, and the hospital buildings were used for other purposes. Part of the old palace was used for a military prison in the eighteenth century. In the nineteenth century the old hospital buildings were demolished and new buildings erected.Somerville, Robert. "The Savoy: Manor, Hospital, Chapel" (1960) London: Duchy of Lancaster]
In 1864 a fire burned everything except the stone walls and the
Savoy Chapel, and the property sat empty until D'Oyly Carte bought it in 1880 to build the Savoy Theatre there. The new theatre was built speedily, and accounts noted that it "was situated on a site which, though rich in historical associations, was also rich in the olfactory sense. Mr Rimmeil's scent factory was close by as was Burgess's Noted Fish-Sauce Shop." [http://www.doylycarte.org.uk/Operas/Patience.htm D'Oyly Carte Opera Company website, on Patience] accessed 1 March 2007]
Richard D'Oyly Carte's theatre
The theatre was designed by C. J. Phipps and built by the firm of Patman and Fotheringham. The theatre's name was originally intended to be the Beaufort Theatre.Howard, p. 214] "
The Times" commented, "A perfect view of the stage can be had from every seat in the house." The decoration by Collinson and Locke was "in the manner of the Italian Renaissance", with white, pale yellow, red and gold predominating, including a gold satin curtain. Exits on all four sides of the theatre were provided, and fireproof materials were used to ensure maximum safety. There were three tiers with four levels: stalls and pit, balcony, circle, and amphitheatre and gallery at the top. The total seating capacity was 1,292. [18 private boxes (72 seats); 150 stalls, 250 pit, 160 balcony, 160 circle, and 500 (maximum) amphitheatre and gallery. ("The Savoy Theatre", "The Times", 3 October 1881)] The prosceniumarch was convert|30|ft|m high by convert|30|ft|m wide, and the stage was convert|27|ft|m deep from the proscenium to the back wall. ["Who's Who in the Theatre", 1912, p. 297. Chapple, p. 11, and Howard, p. 214, give the dimensions as 60 feet wide by 52 feet deep, but those measurements included the wing space and the scene dock at the rear.] The theatre originally had its main entrance on the Embankment. The parcel on which it was built was steep, stretching from the Strand down to the Embankment along Beaufort Street. After Carte built the Savoy Hotelin 1889, the entrance to the theatre was moved to the hotel's courtyard off the Strand, where it is today.
Gilbert and Sullivan's
comic opera"Patience", which had opened at the smaller Opera Comique, moved to the Savoy on 10 October 1881 and was the first production at the new theatre. Carte had hired George Edwardes, later the famous manager of the Gaiety Theatre, London, and now named him as the Savoy Theatre's first managing director. The Savoy was a state-of-the-art theatre and the first public building in the world to be lit entirely by electricity. About 1,200 incandescent lamps were used, powered by a 120 horse-power generator on open land near the theatre. "The Times" concluded that the theatre "is admirably adapted for its purpose, its acoustic qualities are excellent, and all reasonable demands of comfort and taste are complied with." ["The Savoy Theatre", "The Times", 11 October 1881] At a performance shortly after the theatre opened, Carte stepped on stage and broke a glowing lightbulb before the audience to demonstrate the safety of the new technology. Gaslights had also been installed as a backup, but they rarely had to be used. Also unusually for the period, Carte instituted numbered seating, and a policy of no tipping for coat check.
The last eight of Gilbert and Sullivan's comic operas were premièred at the theatre (including such popular favourites as "
Iolanthe", "The Mikado", " The Yeomen of the Guard" and " The Gondoliers"), [The other four Gilbert and Sullivan premières at the theatre were: " Princess Ida", " Ruddigore", " Utopia, Limited", and " The Grand Duke"] and the term Savoy Operahas come to be associated with all their joint works. After the end of their partnership Carte, and later his widow, Helen (and her manager from 1901–1903, William Greet), staged other comic operas, notably by Ivan Caryll, Sullivan, Sydney Grundy, Basil Hoodand Edward German.
In 1903, the theatre closed and was reopened under the management of John Leigh and
Edward Laurillardfrom February 1904 to December 1906. The D'Oyly Carte Opera Company returned to the Savoy for repertory seasons between 1906 and 1909, in which year C. H. Workmantook over the management of the theatre. He produced, among other works, Gilbert's final opera, with music by German, " Fallen Fairies" in 1909–10, which ran for only 51 performances. He also produced "Two Merry Monarchs" and "Orpheus and Eurydice" in 1910, the latter or which starred Marie Bremaand Viola Treein the title roles. [Wearing, vol. 1, p. 24] The D'Oyly Carte Opera Company did not play in the theatre from 1911 until 1919, instead touring throughout Britain, and other works held the stage of the Savoy.
George Augustus Richardson managed the theatre from November 1911 to February 1915. In 1914,
Basil Rathbonemade his London stage debut at the Savoy, appearing as Finch in "The Sin of David". In 1920, he returned to the theatre playing the title-role in "Peter Ibbetson".
The Strand, including the Savoy Theatre, and a depiction of Richard D'Oyly Carte, are featured in
Nicholas Meyer's 1976 novel " The West End Horror".
Rupert D'Oyly Carte's theatre
In 1915, Richard D'Oyly Carte's son and heir,
Rupert D'Oyly Carte, took over management of the theatre. After serving in the navy in World War I, Carte decided to bring the D'Oyly Carte Opera Company back to the Savoy in first-rate style and began to mount updated and refreshed Gilbert and Sullivan productions here and in other West End theatres with new designs, including Charles Ricketts's new designs for " The Mikado" (first seen at the Prince's Theatre) in 1926. Carte also hired first Geoffrey Toyeand then Malcolm Sargentas guest conductors, and Harry Norris and then Isidore Godfreyas musical directors.
3 June 1929, Carte closed the Savoy Theatre, and the interior was completely rebuilt to designs by Frank A. Tugwell with elaborate décor by Basil Ionides. The ceiling was painted to resemble an April sky; the walls, translucent gold on silver; the rows of stalls were all richly upholstered in different colours, and the curtain repeated the tones of the seating. Ionides said that he took the colour scheme from a bed of zinnias in Hyde Park.Bettany, Clemence: D'Oyly Carte Centenary booklet, 1975] The entire floor space had been replanned: the old cloakrooms and bar at the back of the theatre were relocated to the side, and instead of 18 boxes there was now only one. The new auditorium had two tiers leaving three levels: stalls, dress, and upper circle. The capacity of the old house, originally 1,292, had been reduced to 986 by 1912, ["Who's Who in the Theatre", 1912, p. 297. The seating plan in that edition shows only 8 boxes instead of the original 18, and reduced numbers of seats in the Dress (156) and Upper Circle (127) (as they were by then named).] and the new theatre restored the capacity almost completely, with 1,200 seats. ["Reopening of the Savoy", "The Times", 21 October 1929.] The new stage was 29 feet, 4 inches wide, by 29 feet, 6 inches deep. The theatre reopened on 21 October 1929with a new production of "The Gondoliers" designed by Charles Ricketts and conducted by Malcolm Sargent. [ [http://diamond.boisestate.edu/gas/carte/1929/index.html Rupert D'Oyly Carte's 1929–30 Season at the G&S Archive] ] In the only box sat Lady Gilbert, the librettist's widow.
There were Gilbert and Sullivan seasons at the Savoy Theatre in 1929–30, 1932–33, 1951, 1954, 1961–62, 1975, 2000, 2001, 2002 and 2003. Other works presented at the Savoy included the première of
Noel Coward's " Blithe Spirit" (1941, which ran 1,997 consecutive performances, which was then the longest in musical theatre run since " Chu Chin Chow"), Robert Morleyin " The Man Who Came to Dinner", and several comedies by William Douglas-Homestarring, among others, Ralph Richardson, Peggy Ashcroft, and John Mills.
After Rupert D'Oyly Carte's death in 1948, his daughter,
Bridget D'Oyly Carte, succeeded to the D'Oyly Carte Opera Company and became a director and later president of the Savoy Hotel group, which controlled the theatre. Management of the theatre was taken over in 1948 by Sir Hugh Wotner. The D'Oyly Carte Opera Company closed in 1982, and Dame Bridget died childless in 1985, bringing the family line to an end.
1990 fire and restored theatre
While the theatre was being renovated in February 1990, a fire gutted the building, except for the stage and backstage areas. Tugwell's and Ionides's designs had been preserved, however, allowing the accurate restoration of the theatre under the direction of the architect Sir William Whitfield, Sir Hugh Wontner and the theatre's manager, Kevin Chapple. [ [http://www.thestage.co.uk/features/obituaries/feature.php/19480/kevin-chapple Kevin Chapple obituary] ] It reopened on
19 July 1993. The present theatre has a capacity of 1,158. During the renovation an extra storey was added above the theatre that includes a health club for the hotel and a swimming pool above the stage. The reopened theatre was the venue for the World Chess Championshipin 1993, won by Garry Kasparov.
Noel Coward's "Relative Values", played at the theatre, having premièred there in 1951. Tom Stoppard's " Travesties", with Anthony Sherwas next, and in 1994 the musical " She Loves Me" played, with Ruthie Henshalland John Gordon Sinclair. These were followed by Terry Johnson's "Dead Funny"; Alan Ayckbourn's " Communicating Doors", with Angela Thorne; J B Priestley's "When We Are Married", with Dawn French, Alison Steadman, and Leo McKern; and Ben Travers' "Plunder", with Griff Rhys Jonesand Kevin McNally. In 1997, a group led by Sir Stephen Waley-Cohen was given management of the theatre by The Savoy Group. Productions that followed included Simon Callowin " The Importance of Being Oscar"; Pet Shop Boysin concert, Ian Richardsonin Pinero's "The Magistrate"; Edward Foxin "A Letter of Resignation"; the Royal Shakespeare Company's production of "Richard III", with Robert Lindsay; and Coward's "Hay Fever", with Geraldine McEwan.
In 2000, the briefly reconstituted D'Oyly Carte Opera Company produced "
H.M.S. Pinafore"; Donald Sutherlandstarred in "Enigmatic Variations", followed by a second D'Oyly Carte season, playing " The Pirates of Penzance"; and "Antarctica" by David Youngplayed at the theatre. [http://www.theambassadors.com/savoy/info/index.html Information from the Ambassador Theatre Group's website] ] In 2002, a season of " Return to the Forbidden Planet" was followed by the D'Oyly Carte productions of " Iolanthe", " The Yeomen of the Guard", and " The Mikado", and then a revival of Yasmina Reza's "Life x 3". In 2003, the D'Oyly Carte revived "Pinafore", followed by " Bea Arthurat The Savoy", John Steinbeck's "Of Mice and Men", "Peter Pan", and "Pirates". These were followed by " The Marriage of Figaro" and " The Barber of Seville" performed by The Savoy Opera Company in 2004. Next were seasons of Lorna Luftstarring in "Songs My Mother Taught Me" and the new salsa musical "Murderous Instincts". Coward's "Blithe Sprit" was revived in 2004-05.
According to the "Irish Post", the Savoy Hotel group and the theatre were sold around 2004 to a group of Irish investors who in turn sold the theatre in 2005 to Prince
Al-Waleed bin Talal. The hotel was purchased by the Ambassador Theatre Group, who produced "The Rat Pack", which closed in October 2006, and a new musical version of Gershwin's " Porgy and Bess", directed by Trevor Nunn, which premièred November 9, 2006. The theatre was sold in 2007 to Prince Al-Waleed bin Talal. " Fiddler On The Roof", starring Henry Goodmanas Tevye, played at the theatre from May 2007 to February 2008. [ [http://www.thisistheatre.com/londonshows/fiddlerontheroof.html " Fiddler on the Roof" 2007 production at ThisIsTheatre.com] ]
Recent and present productions
Fiddler on the Roof" ( 19 May 2007- 16 February 2008) by Jerry Bock, Sheldon Harnick and Joe Stein, starring Henry Goodman, Alexandra Silber, Damian Humbley, Victor McGuire, Julie Legrand and Beverly Klein
* "Legal Fictions" by
John Mortimer( 21 February 2008- 19 April 2008), starring Edward Fox
* "Never Forget" (
7 May 2008- 15 November 2008), a new musical with a book by Daniel Brocklehurst, Guy Jones and Ed Curtisbased on the 1990s songs of " Take That" and the music and lyrics of Gary Barlow.
* "Carousel" (
29 November 2008-) by Richard Rodgersand Oscar Hammerstein II, starring Lesley Garrett
Nearby Tube Stations
*Chapple, Kevin and Jane Thorne (Eds.) "Reflected Light: The Story of the Savoy Theatre" (1993) Dewynters plc
*cite book|last=Earl|first=John|coauthors=Michael Sell|year=2000|title=Guide to British Theatres 1750–1950|location=London|publisher=Theatres Trust pp. 139–40 ISBN 0-7136-5688-3
*cite book|last=Howard|first=Diana|year=1970|title=London Theatres and Music Halls 1850–1950|location=Old Woking, England|publisher=The Library Association; The Gresham Press
*cite book|last=Rollins|first=Cyril|coauthors=R. John Witts|year=1962|title=The D'Oyly Carte Company, A Record of Productions|location=London|publisher=Michael Joseph
*Wearing, J. P. "The London Stage, 1910-1919: A Calendar of Players and Plays", Scarecrow Press (1982) ISBN 0810815966
* Savoy Theatre Programmes,
26 March 1975and March 2002.
* [http://www.arthurlloyd.co.uk/SavoyTheatre.htm Savoy Theatre History] With Images, and Archive material.
* [http://www.thisistheatre.com/londontheatre/savoytheatre.html Savoy Theatre on thisistheatre.com]
* "Who's Who in the Theatre", edited by John Parker, 1st edition, Sir Isaac Pitman and Sons, London, 1912
* "Who's Who in the Theatre", edited by John Parker, 10th ed., revised, London, 1947, p. 1184.
* [http://www.theambassadors.com/savoy Savoy Theatre]
* [http://www.theambassadors.com/ Ambassador Theatre Group]
* [http://diamond.boisestate.edu/gas/carte/1929/index.html Information about the 1929 re-opening of the theatre]
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