Ercole d'Este I
Ercole I d'Este (
October 26, 1431– june 15, 1505) was Duke of Ferrarafrom 1471 until 1505. He was a member of the house of Este. He was nicknamed "North Wind" and "the Diamond". [http://www.xenophon-mil.org/milhist/renaissance/deste.htm]
Ercole was born at
Ferrarato Nicolò III and Ricciarda da Saluzzo. His maternal grandparents were Thomas III of Saluzzoand Marguerite of Roussy.
He was educated at the Neapolitan court of Alfonso, king of Aragon and Naples, from 1445 to 1460; there he studied military arts, chivalry, and acquired the appreciation for architecture "all'antica" and the fine arts, which would result in his becoming one of the most significant art patrons of the
Renaissance. [cite journal|first=Joseph |last=Manca|title=The Presentation of a Renaissance Lord: Portraiture of Ercole I d'Este, Duke of Ferrara (1471-1505)|Zeitschrift für Kunstgeschichte|volume=52.4|year=1989|pages=pp. 522-538.]
In 1471 he became Duke on the death of his half-brother Borso, who had designated him as his heir, [Primogeniture and even legitimate birth were not foregone conclusions in the House of Este.] and he married Eleonora d'Aragona, daughter of
Ferdinand I of Naples, in 1473. The Este alliance with Naples was to prove a powerful one.
In 1482-1484 he fought a war with the
Republic of Venice, which was allied with Ercole's nemesis, the Della Rovere Pope Sixtus IV, occasioned by the salt monopoly, the War of Ferrara. Ercole was able to end the war by ceding the Polesineat the Peace of Bagnolo, and Ferrara escaped the fate of destruction or absorption into the papal dominions, but the war was a humiliation for Ercole, who lay sick and immobilized while the besieging army destroyed Este properties in the surrounding neighborhoods.
After this, he remained neutral in the
Italian War of 1494-1498, and tried for the rest of his rule to improve relations with the Papal states. He succeeded in marrying his son Alfonso to Lucrezia Borgia, daughter of Pope Alexander VI, a marriage that brought notable territorial donations.
His subsequent career as a patron may be seen to some extent as compensation for the early military setback: significantly, Ercole was the only Italian ruler who characterized himself as "divus" on his coinage, like a Roman emperor (Manca 1989:525, 529).
The scale and consistency of Ercole's patronage of the arts was in part a political and cultural statement. He hosted theatrical representations with elaborate scenery and musical intermezzi, some of the first purely secular theatre in Europe since Antiquity [L. Zorzi, "Il teatro e la città: saggi sulla scena italiana" (Turin) 1977, pp 10-50.] and was successful in setting up a musical establishment which was for a few years the finest in Europe, overshadowing the Vatican chapel itself. [Lewis Lockwood, "Music in Ferrara in the Period of Ercole Id'Este" in "Studi Musicali" 1 (1972) pp 101-31. ] For the next century Ferrara was to retain the character of a center of
avant-gardemusic with a decidedly secular emphasis. In music history Ercole was one of the Italian nobles most responsible for bringing the talented Franco-Flemish musicians from northern Europe into Italy. The most famous composers of Europe either worked for him, were commissioned by him, or dedicated music to him, including Alexander Agricola, Jacob Obrecht, Heinrich Isaac, Adrian Willaert, and Josquin Desprez, whose " Missa Hercules dux Ferrariae" not only is dedicated to him, but is based on a theme drawn from the syllables of the Duke's name.
Ercole is equally famous as a patron of the arts, as much an expression of his conscious magnificence as his cultivated aloofness, grave and stern as befitted the new ducal rank of Ferrara (Manca 1989:524ff). He made the poet Boiardo his minister, and also brought the young
Ludovico Ariostointo his household.
Under Ercole Ferrara became one of the leading cities of Europe; it underwent substantial growth in the Ercolean Addition, approximately doubling in size, under Ercole's direct guidance, producing the first planned and executed urbanistic project of the Renaissance. To enclose it, he extended the city's walls, hiring architect
Biagio Rossettifor the work. [cite book|first=Bruno|last= Zevi|title=Biagio Rossetti, ferrarese: il primo urbanista moderno europeo|location=Turin|year=1960.] Many of Ferrara's most famous buildings date from his reign.
Ercole was an admirer of church reformer
Girolamo Savonarola, who was also from Ferrara, and sought his advice on both spiritual and political matters. Approximately a dozen letters between the two survive from the 1490s. Ercole attempted to have Savonarola freed by the Florentine church authorities, but was unsuccessful; the reformist monk was burned at the stake in 1498. [Macey, p. 186]
In 1503 or 1504, Ercole asked his newly-hired composer
Josquin des Prezto write musical testament for him, structured on Savonarola's prison meditation " Infelix ego". The result was the Miserere, probably first performed for Holy Week in 1504, with the tenor part possibly sung by the Duke himself. [Macey, p. 184ff.] .
Ercole died in 1505, and his son Alfonso became Duke.
Family and issue
Ercole and Eleonora had six children:
*Alfonso (who would later marry the infamous
*Isabella (who would later prove to be one of the most powerful women of the
*Beatrice (who would marry Ludovico Sforza, the future Duke of Milan)
*Ferrante (who was thrown in prison by his brother Alfonso in 1506, where he died 34 years later)
*Ippolito (cardinal, army commander and patron of the arts)
Ercole had two illegitimate children:
*Giulio (who was also thrown in prison by his brother Alfonso in 1506, where he remained for 53 years.
After his release, he was ridiculed in the streets of Ferrara for his outdated clothes) [Bellonci, Maria: The life and time of Lucrezia Borgia] Fact|date=November 2007
List of Dukes of Ferrara and of Modena
*cite book|first=Luciano |last=Chiappini|title=Gli Estensi. Mille anni di storia|location=Ferrara|year=2001
*cite book|first=Edmund G.|last= Gardner|title=Dukes and Poets in Ferrara: a Study in the Poetry, Religion and Politics of the Fifteenth and Sixteenth Centuries|location=London|year=1904
*cite book|first=Werner L.|last= Gundersheimer|title=Ferrara, the Style of a Renaissance Despotism|location=Princeton|year=1973
*cite book|first=Lewis|last= Lockwood|title=Music in Renaissance Ferrara, 1400-1505: The Creation of a Musical Center in the Italian Renaissance|location=Oxford|year= 1984
*cite book|first=Patrick |last=Macey|title=Bonfire Songs: Savonarola's Musical Legacy|location=Oxford|publisher=Clarendon Press|year=1998|id= ISBN 0-19-816669-9
*cite book|first=Charles M.|last= Rosenberg|title=The Este Monuments and Urban Development in Renaissance Ferrara|location=Cambridge|year=1997
*cite book|first=Thomas|last= Tuohy|title=Herculean Ferrara: Ercole d'Este, 1471-1505, and the Invention of a Ducal Capital|location=Cambridge|year=1996
* [http://www.condottieridiventura.it/condottieri/e/0613%20%20%20%20%20%20ERCOLE%20D.htm Ercole's career as a condottiero]
NAME=Ercole I d'Este
SHORT DESCRIPTION=Duke of Ferrara, Italian politician
DATE OF BIRTH=October 26, 1431
PLACE OF BIRTH=Ferrara, Italy
DATE OF DEATH=June 15, 1505
PLACE OF DEATH=
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