F. O. Matthiessen
Francis Otto Matthiessen (
1902- April 1, 1950) was a historianand literary criticinfluential in the creation of the field of American studies.
He wrote and edited landmark works of scholarship on
T. S. Eliot, Ralph Waldo Emerson, Sarah Orne Jewett, Sinclair Lewis, Herman Melville, Henry David Thoreauand Walt Whitman.
Matthiessen's best-known book, "American Renaissance: Art and Expression in the Age of Emerson and Whitman" (1941), discussed the flowering of literary culture in the middle of the American 19th century, with Emerson, Thoreau, Melville, Whitman and
Nathaniel Hawthorne. Its focus was the period roughly from 1850 to 1855 in which all these writers but Emerson published what would, by Matthiessen's time, come to be thought of as their masterpieces: Melville's " Moby-Dick", multiple editions of Whitman's " Leaves of Grass", Hawthorne's " The Scarlet Letter" and " The House of the Seven Gables", and Thoreau's " Walden". The mid-19th century in American literature is commonly called the American Renaissance because of the influence of this work on later literary history and criticism.
Matthiessen, as a gay man in the 1930s and 1940s, chose to remain in
the closetthroughout his professional career, if not in his personal life – although traces of homoeroticconcern are apparent in his writings. His longtime lover and life partner, the painter Russell Cheney, shared a cottage with him in Kittery, Mainefor decades. In planning to spend his life with Cheney, Matthiessen went as far as asking his cohort in the Yale secret society Skull and Bonesto approve of their partnership (Levin 43-44).
He was hospitalized once for a nervous breakdown in 1938-39. After Cheney's death, Matthiessen was increasingly distraught; he committed suicide by jumping from a window in 1950. Inquiries by
HUACinto his politics may also have been a factor in his suicide.
Matthiessen's politics were
left-wing, socialist, though not dogmatically Marxist, as he felt his Christianity was incompatible with Marxist atheism. Matthiessen, who was already financially secure, donated an inheritance he received in the late 1940s to his friend, Marxist economist Paul Sweezy; Sweezy used the money, totalling almost $15,000, to found a new journal, which became the " Monthly Review".
* Arac, Jonathan. "F. O. Matthiessen: Authorizing an American Renaissance." "The American Renaissance Reconsidered". Eds. Walter Benn Michaels and Donald Pease. Baltimore: Johns Hopkins UP, 1985.
* Hyde, Louis, ed. "Rat and the Devil: Journal Letters of F. O. Matthiessen and Russell Cheney". Hamden, Connecticut: Archon Books, 1978. ISBN 1-55583-110-9; ISBN 0-208-01655-4.
* Levin, Harry. " [http://www.nybooks.com/articles/article-preview?article_id=8104 The Private Life of F. O. Matthiessen] ."
New York Review of Books25:12 ( July 20, 1978), pp. 42-46 (abstract online; full text for subscribers only).
*Leverenz, L. David. "Manhood and the American Renaissance". Ithaca, NY: Cornell UP, 1989.
* Matthiessen, F. O.. "American Renaissance." ISBN 0-19-500759-X (also available in many other editions).
* [http://www.monthlyreview.org/599phelp.htm Phelps, Christopher. "Introduction: A Socialist Magazine in the American Century." "Monthly Review" 51:1 (May 1999).]
*Marcus, Greil. "The Old Weird America" New York: Henry Holt (Picador), pp. 90, 124
*Reynolds, David. "Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville". Cambridge, Mass.: Harvard UP, 1988.
*Sundquist, Eric J. "To Wake the Nations: Race and the Making of American Literature". Cambridge, Mass.: Harvard UP, 1993.
* [American Culture's Debt to Gay Sons of Harvard: http://query.nytimes.com/gst/fullpage.html?res=9501E3DE1E31F93AA15756C0A9659C8B63&sec=&spon=&pagewanted=2)
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