- Edward Hopper
bgcolour = #6495ED
name = Edward Hopper
caption = Edward Hopper, "Self-Portrait", 1906
birthdate = birth date|1882|07|22
Nyack, New York
deathdate = death date and age|1967|05|15|1882|07|22
New York City
nationality = American
works = "Automat" (1927)
"Chop Suey" (1929)
Office in a Small City" (1953)
influenced by =
Edward Hopper (
July 22, 1882– May 15, 1967) was an American painter and printmaker. While most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmakerin etching.
Born in upper Nyack,
New Yorkto a prosperous dry-goods merchant, Hopper studied illustration and painting in New York Cityat the New York Institute of Art and Design. One of his teachers, artist Robert Henri, encouraged his students to use their art to "make a stir in the world". Henri, an influence on Hopper, motivated students to render realistic depictions of urban life. Henri's students, many of whom developed into important artists, became known as the Ashcan Schoolof American art. Hopper studied under Henri for five years.
Upon completing his formal education, Hopper made three trips to
Europe, each centered in Paris, to study the emerging art scene there, but unlike many of his contemporaries who imitated the abstract cubistexperiments, the idealism and detail of the realist painters resonated with Hopper. His early projects reflect the realist influence with an emphasis on colour and shape. Eschewing the usual New England subjects of seascapes or boats, Hopper was attracted to Victorian architecture, although it was no longer in fashion. According to Boston Museum of Fine Arts curator Carol Troyen, "He really liked the way these houses with their turrets and towers and porches and mansard roofs and ornament cast wonderful shadows. He always said that his favorite thing was painting sunlight on the side of a house." " [http://www.wbur.org/news/2007/68452_20070706.asp Hopper's Gloucester] ", Andrea Shea, WBUR, July 6, 2007.]
While he worked for several years as a commercial artist, Hopper continued painting with moderate success yet not as much as he wanted. He sold a variety of small prints and watercolors to tourists and minor publications yet received only a casual if warm response from curators and gallery owners. [The Roland Collection, "
Edward Hopper", Video, 1982 ]
According to Troyen, Hopper's "breakthrough work" was "
The Mansard Roof", painted in 1923 during Hopper's first summer in Gloucester, MA. His former art schoolclassmate and later wife, Josephine Nivison Hopper, suggested he enter it in the Brooklyn Museumannual watercolorshow, along with some other paintings. "The Mansard Roof" was purchased by the museum for its permanent collection, for the sum of $100.
In 1925 he produced "House by the Railroad", a classic work that marks his artistic maturity. The piece is the first of a series of stark urban and rural scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects. He derived his subject matter from the common features of American life — gas stations, motels, the railroad, or an empty street — and its inhabitants.
Hopper continued to paint in his old age, dividing his time between
New York Cityand Truro, Massachusetts. He died in 1967, in his studio near Washington Square, in New York City. His wife, painter Josephine Nivison, who died 10 months later, bequeathed his work to the Whitney Museum of American Art. Other significant paintings by Hopper are at the Museum of Modern Artin New York, The Des Moines Art Center, and the Art Institute of Chicago.
Though Hopper's works are very accessible, he was seen, often, as extremely alienated since he had given up commercial illustration to dedicate his professional life to painting. [citation | title= Cover to Cover | author= Peter Plagens | publisher=ARTINFO | year=2008 | date= January 15, 2008| url= http://www.artinfo.com/news/story/26381/cover-to-cover/| accessdate=2008-04-17 ]
The most well known of Hopper's paintings, "
Nighthawks" (1942), shows customers sitting at the counter of an all-night diner. The diner's harsh electric light sets it apart from the dark night outside, enhancing the mood and subtle emotion of the painting. The painting conveys the elements of confinement and isolation. One critic, Walter Wells, sees in the picture the influence of Ernest Hemingway's story, " A Clean, Well-Lighted Place," both picture and story representing a "sanctuary against the ultimate night [i.e. death] in a world without God or spiritual solace."
New Englandscenes, such as "Gas" (1940), are no less meaningful. "Gas" represents "a different, equally clean, well-lighted refuge.... ke [pt] open for those in need as they navigate the night, traveling their own miles to go before they sleep." [ Wells, Walter, "", London/New York: Phaidon, 2007] Brilliant sunlight (as an emblem of insight or revelation), and the shadows it casts, also play symbolically powerful roles in Hopper paintings such as "Early Sunday Morning" (1930), "Summertime" (1943), "Seven A.M." (1948), and "Sun in an Empty Room" (1963).
In terms of subject matter, Hopper can be compared to his contemporary,
Norman Rockwell. Hopper's work exploits empty spaces, represented by a gas station astride an empty country road and the sharp contrast between the natural light of the sky, moderated by the lush forest, and glaring artificial light coming from inside the gas station. Most of Hopper's paintings have a concentration on the subtle interaction of human beings with their environment and with each other. Like stills for a movie or tableaux in a play, Hopper positions his characters as if they have been captured just before or just after the climax of a scene [ Goodrich, Lloyd, " Edward Hopper", NewYork: H. N. Abrams, 1971]
Chief works of Edward Hopper (oil on canvas unless otherwise noted):
In 1980 the groundbreaking show, "Edward Hopper: The Art and the Artist," opened at the Whitney Museum of American Art and visited London, Dusseldorf, and Amsterdam, as well as San Francisco and Chicago. For the first time ever, this show presented Hopper's oil paintings together with drawings on paper, which were his studies for those works.This was the beginning of Hopper's popularity in Europe and his large worldwide reputation.
In 2004, a large selection of Hopper's paintings toured through Europe, visiting
Cologne, Germanyand Tate Modernin London. The Tate exhibition became the second most popular in the gallery's history, with 420,000 visitors in the three months it was open.
In 2007, an exhibition focusing on the period of Hopper’s greatest achievements—from about 1925 to mid-century— was under way at the
Museum of Fine Arts, Boston. The exhibit comprises fifty oil paintings, thirty watercolors, and twelve prints, including the favorites Nighthawks, Chop Suey, and Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine. The exhibition was organized by the Museum of Fine Arts, Boston, the National Gallery of Art, Washington, The Art Institute of Chicago and sponsored by the global management consulting firm, Booz Allen Hamilton.
Hopper's influence on the art world and pop culture is undeniable. Homages to "Nighthawks" featuring cartoon characters or famous pop culture icons such as
James Deanand Marilyn Monroeare often found in poster stores and gift shops. Although this example does not, Hopper often used his wife as the model for female figures. The cable television channel Turner Classic Moviessometimes runs a series of animated clips based on Hopper paintings prior to airing films.
Hopper's cinematic, wide compositions and dramatic use of light and dark has also made him a favorite among filmmakers. For example, "House by the Railroad" is said to have heavily influenced the iconic house in the
Alfred Hitchcockfilm "Psycho". The same painting has also been cited as being an influence on the home in the Terrence Malickfilm " Days of Heaven".
Tom Waits's 1975 live-in-the-studio album is titled Nighthawks at the Diner, after the painting.
Noted surrealist horror film director
Dario Argentowent so far as to recreate the diner and the patrons in "Nighthawks" as part of a set for his 1976 film " Deep Red" (aka Profondo Rosso).
In 1993, Madonna was inspired sufficiently by Hopper's 1941 painting, "Girlie Show", that she named her upcoming world tour after it and incorporated many of the theatrical elements and mood of the painting into the show.
To establish the lighting of scenes in the 2002 film "
Road to Perdition", director Sam Mendesdrew from the paintings of Hopper as a source of inspiration, particularly "New York Movie". [cite news | author=Ray Zone | url=http://www.theasc.com/magazine/aug02/perdition/sidebar1.html | title=A Master of Mood | publisher= American Cinematographer| date= | accessdate=2007-06-06 ]
In 2004 British guitarist
John Squire(formerly of The Stone Rosesfame) released a concept albumbased on Hopper's work entitled " Marshall's House". Each song on the album inspired by, and sharing its title with, a painting by Hopper.
Canadian rock group
The Weakerthansreleased their album Reunion Tourin 2007 featuring two songs inspired by and named after Hopper paintings, "Sun in an Empty Room", and "Night Windows", and has also referenced him in songs such as "Hospital Vespers".
Paweł Szymański's "Compartment 2, Car 7" for violin, viola, celloand vibraphone(2003) was inspired by Hopper's "Compartment C, Car 193".
film director Wim Wenders's 1997 film " The End of Violence" incorporates a tableau vivantof " Nighthawks", recreated by actors.
Each of the 12 chapters in New Zealander Chris Bell's 2004 novel "Liquidambar" (UKA Press/PABD) interprets one of Hopper's paintings to create a surreal detective story.
Hopper's influence reached the Japanese animation world in the dark cyberpunk thriller
Texhnolyze. Hopper's artwork was used as the basis for the surface world in Texhnolyze. Fact|date=August 2008
Hopper's painting Early Sunday Morning was the inspiration for the sleeve of British band
Orchestral Manoeuvres in the Dark's 1985 album, "Crush"
Hopper's Painting "New York Movie" was featured in the Tv Show
Dead like Me. The Girl standing in the corner was compared to the character of Daisy Adair.
Logan Medal of the arts
*Levin, Gail. "Edward Hopper: An Intimate Biography' (New York: Alfred A. Knopf, 1995; Rizzoli Books, 2007.)
* Levin, Gail. "Hopper's Places (New York: Knopf, 1985; 2nd expanded edition, University of California Press, 1998.)
* Levin, Gail. "Edward Hopper: A Catalogue Raisonne" (New York: W.W. Norton & Co., 1995).
*Wells, Walter. "Silent Theater: The Art of Edward Hopper" (London/New York: Phaidon, 2007).
*Wells, Walter. "Un théatre silencieux: l'oeuvre d'Edward Hopper" (London/New York: Phaidon, 2007)
*Wells, Walter. "Il teatro del silenzio: l'arte di Edward Hopper" (London/New York: Phaidon, 2007)
*Cook, Greg, [http://thephoenix.com/article_ektid39115.aspx "Visions of Isolation: Edward Hopper at the MFA"] , Boston Phoenix, May 4, 2007, p.22, Arts and Entertainment.
*Healy, Pat, [http://metropoint.metro.lu/20070508_Boston.pdf "Look at all the lonely people: MFA's 'Hopper' celebrates solitude"] , Metro newspaper, Tuesday, May 8, 2007, p.18.
* [http://www.nga.gov/exhibitions/2007/hopper/introduction/index.shtm Edward Hopper at the National Gallery of Art]
* [http://www.artseditor.com/html/features/0407_hopper.shtml "Alone, Together: examining the work of Edward Hopper"] ArtsEditor.com article
* [http://www.ibiblio.org/wm/paint/auth/hopper/ Art and Bio of Hopper at the WebMuseum]
* [http://americanart.si.edu/collections/exhibits/hopper/ "An Edward Hopper Scrapbook"] , compiled by the staff of the * [http://americanart.si.edu Smithsonian American Art Museum] based on research by Gail Levin
* [http://www.tate.org.uk/modern/exhibitions/hopper/about.htm Hopper exhibition at Tate 2004]
* [http://www.passionforpaint.com/EdwardHopper.html Edward Hopper]
* [http://www.holtzbrinckpublishers.com/stmartins/search/SearchBookDisplay.asp?BookKey=1771826 "Staying Up Much Too Late: Edward Hopper's Nighthawks and the Dark Side of the American Psyche" by Gordon Theisen]
* [http://www.museumsyndicate.com/artist.php?artist=54 Gallery of Edward Hopper's Paintings]
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Edward Hopper — (* 22. Juli 1882 in Nyack, N Y; † 15. Mai 1967 in New York City, N Y) war ein amerikanischer Maler des Amerikanischen Realismus. Hoppers in kühler Farbgebung gehaltene realistische Bilder weisen auf die Einsamkeit des modernen Menschen hin. Er… … Deutsch Wikipedia
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