Thomas d'Urfey

Thomas D'Urfey (Tom Durfey) (1653 - 26 February 1723), was an English writer and wit. He composed plays, songs, and poetry, in addition to writing jokes. He was an important innovator and contributor in the evolution of the Ballad opera.

, and in all layers of society.

D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s.

He wrote 500 songs, and 32 plays, starting with "The Siege of Memphis" in 1676. His first play was a failure, but he responded in the following year (1677) with a comedy, "Madame Fickle", which proved more successful.

His plays include "The Fond Husband" (1676), "The Virtuous Wife" (1680), and "Wonders in the Sun, or, The Kingdom of the Birds" (1706). In 1698 he wrote "The Campaigners" as a reply and satire of Jeremy Collier's anti-theatrical scourges. His multi-volume "Wit and Mirth, or Pills to Purge Melancholy", written between 1698 and 1720, is a collection of songs and ballads. His play "The Injured Princess" is an adaptation of Shakespeare's "Cymbeline". Durfey wrote widely in a witty, satirical vein, usually from a courtly point of view, and his works are a compendium of comedic ideas.

His songs generally fell into three types: court songs, political songs, and country songs—the latter tending to be more than a little bawdy. ("The Fart" was one of his hits; "The Lusty Young Smith" was another.) Over forty different composers set his lyrics to music, including Henry Purcell. Purcell composed music for D'Urfey's play "The Comical History of Don Quixote" (1694), one of the first stage dramatizations of Cervantes's celebrated novel.

D'Urfey wrote tunes himself as well, though even he admitted that they were not very good.

D'Urfey was a friend of the great essayists Joseph Addison and Richard Steele; but, as was not untypical of the time, he also quarreled energetically with other poets and writers. He wrote parodies, and was parodied in return. He stuttered slightly—except, it was said, when he sang or swore. At one point in his career, a jealous rival would respond to D'Urfey's play "Love for Money" with a parody called "Wit for Money, or, Poet Stutterer".

He was buried on the day of his death at the fashionable church of St. James's, Piccadilly in London. His lasting achievement lay in his best songs: 10 of the 68 songs in the "The Beggar's Opera" were D'Urfey's.

"All animals, except man, know that the principal business of life is to enjoy it." — Thomas D'Urfey.


*Thomas D'Urfey, "Lewd Songs and Low Ballads of the Eighteenth Century: Bawdy Songs From Thomas D'urfey's Pills to Purge Melancholy (1719)," Boulder, Colorado, Bartholomew Press, 1991.

External links

* [;layer=2;rgn1=period;q1=Res 25 D'Urfey Plays Online.]

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