Pange Lingua Gloriosi Corporis Mysterium

Pange Lingua Gloriosi Corporis Mysterium is a hymn written by St. Thomas Aquinas (1225-1274) for the Feast of Corpus Christi (now called the Solemnity of the Holy Body and Blood of Christ). It is also sung on Holy Thursday, during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas, called separately Tantum Ergo, are sung at Benediction of the Blessed Sacrament. The hymn expresses the doctrine of transubstantiation, in which, according to the Roman Catholic faith, the bread and wine are changed into the Body and Blood of Christ.

The opening words recall another famous Latin sequence, "Pange Lingua Gloriosi Proelium Certaminis", by Venantius Fortunatus.

Latin text and English version

There are many English translations, of varying rhyme scheme and meter. Fr. Edward Caswall authored the following translation [H.T. Henry, [ "Pange Lingua Gloriosi,"] "The Catholic Encyclopedia, Vol. XI"] :

Text of "Pange lingua gloriosi", with doxology

Pange lingua in music history

There are two plainchant settings of the Pange Lingua hymn. The better known is a Phrygian mode tune from the Roman liturgy, and the other is from the Mozarabic liturgy from Spain. The Roman tune was originally part of the Gallican Rite.

The Roman version of the Pange Lingua hymn was the basis for a famous composition by Renaissance composer Josquin des Prez, the "Missa Pange lingua." An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from 1515 to 1521, since it was not included by Petrucci in his 1514 collection of Josquin's masses, and was published posthumously. In its simplification, motivic unity and close attention to the text it has been compared to the late works of Beethoven, and many commentators consider it one of the high points of Renaissance polyphony.

Juan de Urrede, a Flemish composer active in Spain in the late 15th century, composed numerous settings of the Pange Lingua, most of them based on the original Mozarabic melody. One of his versions for four voices became one of the most popular pieces of the 16th century, and was the basis for dozens of keyboard works in addition to masses, many by Spanish composers.

Building on Josquin's treatment of the hymn's third line in the Kyrie of the "Missa Pange Lingua", the "Do-Re-Fa-Mi-Re-Do"-theme became one of the most famous in music history. Simon Lohet, Michelangelo Rossi, François Roberday, Johann Caspar Ferdinand Fischer, Johann Jakob Froberger [Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. 2002, p. XX and XLI (FbWV 202).] , Johann Kaspar Kerll, Johann Sebastian Bach, Johann Fux wrote fugues on it, and the latter's extensive elaborations in the "Gradus ad Parnassum" made it known to every aspiring composer - among them Wolfgang Amadeus Mozart, whose "Jupiter" [William Klenz: Per Aspera ad Astra, or The Stairway to Jupiter; The Music Review Vol. 30 Nr. 3, August 1969, pp.169-210.] theme borrows the first four notes.

The last two verses of Pange Lingua are often separated out. They mark the end of the procession of the monstrance in Holy Thursday liturgy. Various separate musical settings have been written for this, including one by Giovanni Pierluigi da Palestrina and one by Widor.

Pange Lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of Pange Lingua was used as part of the rite of benediction in the Syro-Malabar Church of Kerala, India, until the 1970s.

External links

* [ Rondo Histriae] mixed choir from Croatia chant Pange lingua by Anton Bruckner - (video)
* [ Christian Musicological Society of India] produces audio recordings of Syriac music.
*web cite|url=|title=Pange Lingua Gloriosi|work=Catholic Encyclopedia


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  • Pange Lingua Gloriosi — • Article on the two hymns of this name. The second is by Thomas Aquinas. The first is generally credited to Venantius Fortunatus, though some believe it is the work of Claudianus Mamertus Catholic Encyclopedia. Kevin Knight. 2006. Pange Lingua… …   Catholic encyclopedia

  • Pange Lingua Gloriosi Proelium Certaminis — is a sixth century Latin sequence hymn generally credited to the Christian poet St Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ. In the Catholic Church, the first five stanzas are used at Matins during Passiontide… …   Wikipedia

  • Pange lingua — Saltar a navegación, búsqueda Pange Lingua cantado en Latin …   Wikipedia Español

  • Pange Lingua — may refer to either of two Mediaeval Latin hymns of the Roman Catholic Church:* Pange Lingua Gloriosi Proelium Certaminis by Venantius Fortunatus, 6th Century, celebrating the Passion of Jesus Christ. (Also sometimes found as Pange Lingua… …   Wikipedia

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  • Pange lingua — (lateinisch für „Besinge, Zunge!“) sind die Anfangsworte und zugleich der Titel des berühmtesten eucharistischen Hymnus, der dem Kirchenlehrer Thomas von Aquin (1225–1274) zugeschrieben wird. Sie gehen auf den gleichnamigen Kreuzhymnus Pange… …   Deutsch Wikipedia

  • Pange Lingua — (lateinisch für Besinge, Zunge) sind die Anfangsworte und zugleich der Titel des berühmtesten eucharistischen Hymnus, der dem heiligen Thomas v. Aquin (1225–1274) zugeschrieben wird. Sie gehen auf den gleichnamigen Kreuzhymnus Pange lingua des… …   Deutsch Wikipedia

  • Pange lingua (Thomas von Aquin) — Pange lingua (lateinisch für Besinge, Zunge) sind die Anfangsworte und zugleich der Titel des berühmtesten eucharistischen Hymnus, der dem heiligen Thomas v. Aquin (1225–1274) zugeschrieben wird. Sie gehen auf den gleichnamigen Kreuzhymnus Pange… …   Deutsch Wikipedia

  • pange lingua — (Del lat. pange, lingua, [gloriosi Corporis mysterium], ensalza, lengua, [el misterio del Cuerpo glorioso], palabras con las que comienza este himno, compuesto por santo Tomás de Aquino en 1264). m. Himno que se canta en honor y alabanza del… …   Diccionario de la lengua española

  • Pange lingua — Office du Saint Sacrement Thomas d Aquin le poète de l Eucharistie Saint Thomas d Aquin, docteur de l Eglise, théologien et philosophe du XIIIe siècle a écrit, outre ses ouvrages savants, un Office du Saint Sacrement que l …   Wikipédia en Français

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