The Girl at the Lion d'Or
infobox Book |
The Girl at the Lion d'Or
language = English
The France Trilogy
publisher = Hutchinson
release_date = August 1989
media_type = Print (Hardback &
pages = 253 pp (first edition, hardback)
isbn = ISBN 0091734517 (first edition, hardback)
"The Girl at the Lion d'Or" by
Sebastian Faulks, was the author's second novel. Set in the tiny French village of Janvilliersin 1936. Together with "Birdsong" and "Charlotte Gray", it makes up Faulks' "France Trilogy". The character "Charles Hartmann" is common to all three books.
An unsigned prologue introduces the reader to 1930's France and sets-up the fiction that the novel tells the true story behind an actual newspaper report of the time. This is imagined as being a passionate adulterous love-affair between the book's two central characters with the nation's unstable political scene as its backdrop.The politics are rendered to us through the characters' every day conversation- they rely on newspapers for information- which means that the "history lesson" aspect of the book arises organically in the narrative. Written in the third person using a conventional
omniscient narratorthe internal motivations and viewpoints of various characters are aired. The narrative tone is at times ironic and the author uses unfussy language in telling the tale with economy. The vast majority of the scenes in the novel are set indoors which gives it a domestic and claustrophobic feel. There are no descriptions of physical violence but there is trauma and angst while in the character of 'Mattlin' Faulkscreates a villain with a truly vicious mentality.The mood is down beat- in fact mock Gothic in the Poe inspired sub-plot involving the renovation of the Manor House- and the book is shot through with mordant wit but there are also lighter moments of tenderness and near slapstick.On its publication, The Girl at the Lion d'Or was lauded in reviews for Faulks' ability to evoke a sense of time and place and for his adroitness in creating engaging characters.
A wet and dark winter night sees young and beautiful Anne Louvert arrive in Janvilliers from Paris to take up a lowly position at the village inn, 'The Lion d'Or'. She gets to know the staff- the formidable Madame Concierge, the drunken Cook, the sex starved Porter- and to meet the mysterious Patron.Then there are the customers: the evil Mattlin and the sensitive Hartmann most prominent among them.
A generation older than her, the cultured, rich and married Hartmann begins an affair with Anne. She reveals her secrets, her fears and her hopes to him trusting in their mutual love. His wife, Christine, knows him better and in the end its no real contest for her to keep her husband and see off her latest rival. Although Faulks writes the love story with commitment, the nature of the novel determines that it can only end badly for Anne. An
historical novelin which history is treated seriously, The Girl at the Lion d'Oris tragic dramaand its real subject is Franceherself. A happy fairy-taleending would be incongruous: it didn't happen for the French Third Republictherefore it couldn't happen for Anne.
Anne's childhood has been blighted by the
First World War. Her father was shot on a charge of mutiny while serving in the trenches at Verdunand her mother, harassed and victimised because of his fate, driven to suicide. Anne then endured a wandering hand to mouthexistence with her uncle Louvert whose name she adopts.Louvert, vainglorious and empty dispenser of fine sounding phrases- 'Courage is the only thing that counts' [The Girl at the Lion d'Or Pp.115] - , joined a right wingrevolutionary organisation with the aim of 'making France great again' [The Girl at the Lion d'Or, Pp 158] but deserted both Anne and France for a new life in America. Anne later invests her emotions in Hartmann and although devastated by his rejection she doesn't allow it to destroy her. She intuitively turns away from suicide and the last line of the novel leads us to believe that she will, though there will be dark days ahead, overcome her situation.The battle of Verdunand the French army mutiniesa year later were momentous events for the French nation. That the battle and a charge of mutiny played such a major part in Anne's personal history suggests a metaphorical link between her and France. The fact that the prologue to the narrative dedicates the story to Anne, 'an unknown girl' [The Girl at the Lion d'Or, Prologue] rather than the 'important public' [The Girl at the Lion d'Or, Prologue] figures of the time also points to the character being representational of something larger than an individual. The use of the adjective 'unknown', in the context of this novel, is loaded with meaning as it brings to mind the Unknown Soldier.By making Anne a homeless, friendless,orphaned young woman Faulks is pushing the limits of melodramain his wish to create a character which is the opposite of those in the male dominated world of political power. She is the victim of political decisions and human spite but doesn't embrace victimhood. Instead she embodies most of the virtuesand a certain defiance. More importantly she is vital: she makes decisions and acts on them. The polemicthrust of the book, backed-up by references to newspaper stories of political crises and scandal at home and mounting threat of war from abroad, is that the period's political leaders were, at best, inert. The setting of the story is also much removed from the centre of power and influence in the political sense if not geographically. In fact the author is shy of saying where in France the town of Janvilliers is. The descriptions of the seasons in the book and that Hartmann walks on a beach near his house from which 'the sea has disappeared' [The Girl at the Lion d'Or Pp.227] puts it somewhere on the north coast. Imprecise as this is, it rules out the real Janvilliersbeing the location though its name may have been used because of that town's proximity to Verdun. Geographical imprecision serves the function of making the fictional Janvilliers a French "everytown" where the attitudes and experiences of its inhabitants typify those of towns throughout France of the period. Choosing 'Lion d'Or', a common and therefore typical name for French inns, as the name of the town hotel is meant to strengthen the idea of this representational aspect of Janvilliers. A war monument in the town centre commemorating the dead of the First World Warcould be found in any town in the country. Similarly, 'M. Bouin', a woman bereaved of her menfolk by the war and finding solace in religion, would be a familiar character in 1930's France. 'M. le Patron' typifies the defeatistmindset among many of the time while the odious 'Mattlin' is the town's future fifth columnistand collaborator.'Hartmann' is the ineffectual liberal. His failure to confront 'Mattlin', whose slanders are undermining 'Hartmann's' reputation just as surely as the builder hired to renovate his house undermines it's foundations, can be read as a metaphor of the centre-leftgovernment's failure to confront fascismeither at home or abroad.
Characters in "The Girl at the Lion d'Or"
;Anne Louvert: The 'Girl' in the title of the novel. Indigent. Tragic past. Traumatised by loss, she equates abandonment with unbearable tragedy. Descends "into a psychological hell of her own making....by her blinding love for the wrong man." according to "'Maggie Galehouse" writing in the New York Times, 16 January 2000citation- a rather harsh "tough love" judgment. Honest, brave and humane Anne is allowed to hope at the end of the book.
;Charles Hartmann: Jewish veteran of First World War. A successful lawyer he lives at the Manor with wife Christine. Has affair with Anne. Hopes to "Redeem the horrors of her childhood " [The Girl at the Lion d'Or, Pp 164] Puts her up in a flat. Ultimately he "Gets entangled in the coils of his own conscience" [The Girl at the Lion d'Or, Pp 225] Politically aware, the national situation is reported to us through his conversations with other characters.
;Mattlin: A vile and disgusting Uriah Heep-like character with racism added.
;Christine Hartmann: Wronged wife.
;Mme Bouin: Manageress of the Lion d'Or. Initially unsympathetic, her true nature is later revealed. Devoted to 'M. the Patron'.
;M. the Patron: Owner of the Lion d'Or. Agoraphobic due to experiences in the war. Pessimistic and angry about future. Caring.
;Bruno: Chef at the Lion d. Involved in the novel's overtly comic scenes.
;Roland: Porter at Lion d. Bored, idiotic youth. Voyeur. ;Antoine: Friend of Hartmann's since the war. Now a senior civil servant whose minister is involved in a scandal. Asks Hartmann to give legal advice.
;Louvert: Anne's Guardian after her mother's suicide. Not an active character in the narrative he is reported to us by the narrator and through Anne's memories of him. "Considered himself a philosopher" [The Girl at the Lion d'Or Pp 11] . Tells Anne that that "all emotional suffering is caused by abandonment" [The Girl at the Lion d'Or Pp. 20 & Pp. 11-12. The quote, beginning with "Louvert....had a theory" on page 11 finishes with "finds expression in a cry" on page 12. The cry, especially the kind expressed by Hartmann on page 234- "He turned and flung his arms around a wooden pillar in the hall, sobbing tearlessly" is something of a
motifin Faulks' novels. The same kind of helpless, despairing cry turns up in Birdsong(twice) and also in On Green Dolphin Street.] . He abandons Anne for America when she refused to be his mistress. A member of a Crypto-NaziFrench league, he is depicted mockingly in the text.
*Suicide. Anne's mother and Minister Salengro commit suicide.
Alexandre Staviskywas officially pronounced as suicide. Anne rejects taking her own life. A conversation between Hartmann and his civil servant friend, Antoine, likens the casualties suffered by France in the 1st World War to a kind of national suicide (France which ""should be one of the most civilized Nations on Earth"" is being governed by incompetents because the best of the generation were ""buried under the battlefields of the Western Front"") [The Girl at the Lion d'Or Pp 184]
* World War 1.The continuing destructive influence of the war on people and State is one of the themes which binds the personal to the political in the novel.
* Slander. The false allegation of desertion made against the historical figure Minster
Salengro, the poison-pen campaign carried out against Anne Louvert's mother and the anti-Semiticlies spread about Hartmann are dark currents running through the book.
Allusions/references to actual history, geography and current science
Blumebecame premier of France in the summer of 1936. Minister Salengro killed himself in November 1936. Given these two events, the action of the novel can be dated from late winter to late autumn of that year.The Paris riots referred to in the book took place in 1934, the same year as the StaviskyAffair broke.
The France Trilogy
The Girl at the Lion d'Or", " Birdsong" and "Charlotte Gray" are historical fictionnovels largely set in France and collectively covering the periods 1936; 1910-1918 and 1942-1944. The Girl at the Lion d'Oris the only one of the three books set exclusively in France and with an all French cast of characters. Although published before the other novels, it is the middle section of the trilogy's narrative.
Paths of Gloryby Humphrey Cobb
The Remains of the Dayby Kazuo Ishiguro
Fall of the House of Usherby Edgar Allan Poe
The Road to Verdunby Ian Ousby
* Galehouse, Maggie. "All Wars Are Local", New York Times, Books Page 1Maggie Galehouse's review can be found at www.nytimes.com/books/00/01/16/bib/000116.rv101528.html
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