Licia Albanese (born
July 22, 1913, in Bari, Italy) is a distinguished Italian sopranoand chairman of The Licia Albanese-Puccini Foundation, founded in 1974 and dedicated to assisting young artists and singers.
Life and career
Licia Albanese made her unofficial debut in
Milanin 1934, when she replaced an absent performer in Puccini's " Madama Butterfly", the opera with which she would forever be connected. Over 40 years, she sang more than 300 performances of Cio-Cio San. Although she has been praised for many of her roles, including Mimì, Violetta, Liù, Manon Lescaut, it is her portrayal of the doomed " geisha" which has remained her best loved. Her connection with that work began early with her teacher, a contemporary of the composer and an important exponent of the title role in the previous generation.
There is some controversy regarding when she made her formal debut. It was either in that same year (1934) at the Teatro Municipale in Bari, singing in "La Bohème", or in
Parma, or in Milan in 1935 in "Madama Butterfly". By the end of that year, she had debuted at La Scalaas Lauretta in " Gianni Schicchi". She soon realized great success all over the world, especially for her performances in " Carmen", " L'amico Fritz" and "Madama Butterfly" in Italy, France and England.
Following her considerable success in Italy, France, England, and Malta, Licia Albanese made her
Metropolitan Operadebut on Friday, February 9, 1940, in the first of 72 performances on the Japanese bridge of the "Madama Butterfly" set at the old Metropolitan Opera House. Her success was instantaneous, and Albanese remained at the Metfor 26 seasons, performing a total of 427 performances of 17 roles in 16 operas. She left the company in 1966 in a dispute with General Manager Rudolf Bingwithout a grand farewell. After performing in four productions during 1965-66, she was scheduled for only one performance the next season. She returned her contract unsigned. Arturo Toscaniniinvited Albanese to join his broadcast concert performances of "La Boheme" and "La Traviata" with the NBC Symphony Orchestrain NBC's Studio 8-H in 1946. Both complete performances were later issued on LP and CD by RCA Victor.
She was also a mainstay at the
San Francisco Operawhere she sang between 1941 and 1961, performing 22 roles in 120 performances over 20 seasons, remaining in part because of her admiration for its famed director, Gaetano Merola. Throughout her career, she has continued to perform widely. In recital, concert, and opera, she was heard throughout the country; she participated in benefits, entertained the troops, had her own weekly radio show, was a guest on other broadcasts and telecasts, and recorded frequently.
Albanese came to San Francisco in the summer of 1972 for the special gala concert at Sigmund Stern Grove celebrating the 50th anniversary of the San Francisco Opera. Joining numerous colleagues who had sung with the company, Albanese sang the love duet from
Puccini's "Madama Butterfly" with tenor Frederick Jaegel, accompanied by the San Francisco Opera Orchestra conducted by longtime director Kurt Herbert Adler. Then, in September 1973, she returned to San Francisco to participate in a special concert at the Music Concourse in Golden Gate Parkwith Luciano Pavarottiand the San Francisco Opra Orchestra, again conducted by Adler; this time the concert was televised live on KQED-TV. It was a cold, windy, overcast day and, at one point, Pavarotti took part of the long, heavy scarf he was wearing around his neck and shared it with Albanese!
Even after a career spanning seven decades, Albanese continued to perform occasionally. After hearing her sing the national anthem during a Met opening,
Stephen Sondheimand Thomas Z. Shepard cast her as operetta diva Heidi Schiller in Sondheim's " Follies" in concert with the New York Philharmonicat Avery Fisher Hallin 1985. During the 1987 spring season of the Theatre Under the Stars in Houston, Texas, Albanese starred in a stage revival of "Follies", which was a great success.
Praised for nearly every role she undertook, Albanese is particularly renowned for her Cio-Cio San in Puccini's "Madama Butterfly", Violetta in Verdi's "
La Traviata" and Mimi in Puccini's "La Bohème". Her popularity in "La Traviata" was such that she sang more performances of that opera at the Met and the San Francisco Opera than any other singer in either company's history. Schuyler Chapin describes her as "a splendid former prima donna of the Italian repertoire, remembered by old-timers as the frailest Mimi, the tenderest Butterfly, and perhaps the most haunting of modern Violettas."
Her voice has a distinctive character which the Italians call a "lirico spinto", marked by its quick "
vibrato", incisive diction, intensity of attack and unwavering emotional impact. During her career she performed with all the contemporary greats of opera-- Beniamino Gigli(whom she always addressed, respectfully, as "Commendatore"), Claudia Muzio, Jussi Björling, and Franco Corelli. She worked with the best conductors of her time, but it is her work with Arturo Toscaninithat has endured. Despite her talent and numerous performances, she was not the best known of her contemporaries, overshadowed in her day by Milanov, Callas, and Tebaldi.
Alfredo Vecchio, a frequent member of the audience at her performances, gave the following tribute to the career of Licia Albanese at the Columbus Club, Park Avenue, New York City, in 1986,
Like all great artists, Licia's specific ingenuity as a singer, the originality of her art, lay in the fact that technique for this artist at least was always a means to an end and never an end in itself: for the salient features of all great art is the ability to connect technique to the emotions. Any other approach would have been for Albanese contrary to the musical sense with which she was born, contrary to musical training she acquired, and, if such exists, contrary to her musical morality. It was this, Licia's uniqueness and musical mastery which drew me, which drew us, into the world of Mimi, Cio-Cio-San, Manon, Liu and Violetta week after week, year after year, inviting me to a place and places I had never been before. It is for all these reasons that[http://www.plumsite.com/aevecchio/lictrib.htm]
Virgil Thomsonwas able to write of Licia's first Violetta: 'She did not sing the role, she recreated it for our times.' As we all know, Albanese's art is capable of the widest range of effects from the tragic to the comedic, from dramatic repertoire to the lyrical and even soubrette: and for anyone fortunate enough to have heard her rendition of operetta pieces, she leaves no doubt in the mind that she was born to the operetta form as well as to the rest.
To all of her work, Albanese has brought passion and commitment, with her rich soprano voice, equalized throughout its range, thrilling in its climaxes. However, despite her repeated performances, she never fell into routine. As she explained in a 2004 interview with Allan Ulrich of the
San Francisco Chronicle, "I always changed every performance. I was never boring, and I am against copying. What I learned from the great singers was not to copy, but that the drama is in the music.” [http://www.classicstoday.com/review.asp?ReviewNum=7572]
Recordings and legacy
Licia Albanese appeared in the very first live telecast from the
Metropolitan Opera- Verdi's " Otello" - opposite Ramon Vinayand Leonard Warren, conducted by Fritz Busch. One of the first generation of opera singers to appear widely in recordings and on the radio, her performances, now reappearing on both compact disc and video, have provided a lasting testament to her ability. From these recordings, future generations will be able to form some impression of what she was like as a singer and to understand what made her unique as an artist.
She took part in famous recordings with
Beniamino Gigliand Arturo Toscanini, as well as live performances over the NBCradio network in the 1940s.
Toscanini invited her to sing Mimì for the 50th anniversary, NBC Symphony broadcast of "La bohème", the premiere of which he had conducted in 1896. Following the success of that undertaking, he requested her talents again, as the consumptive Violetta for their classic performance of "La traviata", broadcast on national radio on December 1 and 8, 1946. While the live recording has its faults, it was a classic performance shared with a wide audience.
The liveliness of the tempi of this performance is startling, especially for the first-act party scene. Despite the demands of broadcast time limitations and live performance, Albanese gracefully fulfills the technical demands of her big scene at the end. "Maria Callas once asked me how I ever got through it, but Toscanini wanted it that way," Albanese later recalled. "It should be like champagne," he said. I complained to him, and he said, 'You can do it.' Before I sang the part, I went to a hospital to study the behavior of people with tuberculosis and I learned that sometimes they can be hysterical." [http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/10/04/DDGQ091L091.DTL]
These NBC "La bohème" and "La traviata" are day-and-night from the romantic, free-flowing, utterly spontaneous studio performance of "Bohème" that Albanese recorded in 1938 for Italian HMV, with Beniamino Gigli as the unforgettable Rodolfo and Umberto Berretoni conducting the orchestra of the Teatro alla Scala, Milan.
For RCA she also recorded, in 1951, Micaela in Bizet's "Carmen" under the direction of
Fritz Reiner, no less, and a classic performance of Puccini's Manon Lescautin 1954, with Jussi Bjoerlingas her leading tenor.
Teresa Stratashas been quoted as crediting a Metropolitan Operaperformance of "La Traviata" starring Albanese at Toronto's Maple Leaf Gardenswith motivating her toward a singing career.
Albanese is chairman of the
The Licia Albanese-Puccini Foundation, founded in 1974 and dedicated to assisting young artists and singers. She also serves as a trustee of the Bagby Foundation. She works with the Juilliard School of Music, the Manhattan School of Music, and Marymount Manhattan College, and conducts master classes throughout the world.
National and international honors
Albanese became an American citizen in 1945. On October 5, 1995, President
Bill Clintonpresented her with the National Medal of Honor for the Arts.
She has received awards and honorary degrees from
Marymount Manhattan College, Montclair State Teachers College, Saint Peter's College, New Jersey, Seton Hall University, University of South Florida, Fairfield University, Siena College, Caldwell College, and Fairleigh Dickinson University.
She received the prestigious
Handel Medallion, the highest official honor given by the City of New York and presented to individuals for their contributions to the city's cultural life, from Rudolph Giulianiin 2000. At the ceremony, Mayor Giuliani commemorated the career of a woman who is “without question [one] of the most loved and respected performers in the world." [http://www.nyc.gov/html/om/html/2000b/pr442-00.html]
Ulrich, Allan, “Many a tear was shed when soprano Licia Albanese sang. Now she is celebrating her signature work, 'Madama Butterfly', "San Francisco Chronicle", October 4, 2004. Retrieved on 2006-08-19. [http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/10/04/DDGQ091L091.DTL]
Article, “Licia Albanese,” "Opera Italiana". Retrieved on 2006-08-19. [http://www.operaitaliana.com/autori/interprete.asp?ID=20]
Vecchio, Alfredo, "A Tribute to Mme. Albanese" Retrieved on 2006-08-19. [http://www.plumsite.com/aevecchio/lictrib.htm]
Article, “La Traviata” Retrieved on 2006-08-19. [http://bassocantante.com/opera/traviata.html]
Davis, Dan, “LICIA ALBANESE” (review). Retrieved on 2006-08-19. [http://www.classicstoday.com/review.asp?ReviewNum=7572]
“Mayor Giuliani presents Handel Medallion to Licia Alabense and Roberta Peters” (press release), November 20, 2000. Retrieved on 2006-08-19. [http://www.nyc.gov/html/om/html/2000b/pr442-00.html]
* [http://www.lapfny.org/ The Licia Albanese-Puccini Foundation website]
Wikimedia Foundation. 2010.
Look at other dictionaries:
Licia Albanese — (* 22. Juli 1913 in Bari) ist eine italienische Opernsängerin (Sopran) und Gründerin der Licia Albanese Puccini Foundation. Leben Im Jahr 1934 debütierte Licia Albanese am Teatro alla Scala in Mailand in der Madama Butterfly, einer Oper von… … Deutsch Wikipedia
Licia Albanese — (Julio 22, 1913) es una soprano italiana nacida en Bari y nacionalizada estadounidense. Debutó en Milán en 1934, como Madama Butterfly, opera con la que se la asocia y de la que a través de cuatro décadas canto 300 representaciones. Otros roles… … Wikipedia Español
Licia Albanese — Pour les articles homonymes, voir Albanese. Licia Albanese (née le 22 juillet 1913, à Bari, en Italie), est une soprano italo américaine mondialement renommée. Elle est présidente de The Licia Albanese Puccini Foundation, fondée en 1974 … Wikipédia en Français
The Licia Albanese-Puccini Foundation — is a musical organisation founded in 1974 whose scope is to provide assistance to young American and international artists by means of scholarships, study grants, and master classes.Since its creation and for the past 30 years, the Foundation has … Wikipedia
Albanese — can refer to:People*Anthony Albanese, Australian politician *Antonio Albanese,an Italian comedian, actor, director and writer *Diego Albanese, Argentinian rugby union player *Francesco Albanese, Italian tenor *Giacomo Albanese, Italian… … Wikipedia
Albanese — ist der Familienname folgender Personen: Anthony Albanese (* 1963), australischer Politiker Antonio Albanese (* 1964), italienischer Filmschaffender Flavio Albanese (* 1951), italienischer Designer und Architekt Francesco Albanese (1912–2005),… … Deutsch Wikipedia
Licia — is an Italian feminine given name, and may refer to:* Licia Albanese (born 1913), Italian soprano * Licia Colò (born 1962), Italian journalist * Licia Maglietta (born 1954), Italian actress * Licia Troisi (born 1980), Italian fantasy writer … Wikipedia
Albanese — Cette page d’homonymie répertorie les différents sujets et articles partageant un même nom. Patronymes Antoine Albanèse (1729 1800), chanteur italien Diego Albanese (1973), joueur de rugby argentin G. Sacco Albanese (? ?), réalisateur américain… … Wikipédia en Français
Albanese — Albanese, Licia, amerikanische Sängerin italienischer Herkunft (Sopran), * Bari 22. 7. 1913; debütierte 1934 in Bari, wurde 1935 an die Mailänder Scala verpflichtet und war 1940 60 Mitglied der Metropolitan Opera in New York. Sie ist besonders… … Universal-Lexikon
Albanese — /al beuh nay zeuh, seuh, zee, ahl /; It. /ahl bah ne ze/, n. Licia /lee chee euh/; It. /lee chah/, born 1913, Italian operatic soprano. * * * … Universalium