The Guidonian hexachord (named after its inventor,
Guido of Arezzo) was the most basic pedagogical tool for learning new music in the European Middle Ages, and was often referenced in contemporary musical theory. In each hexachord, all adjacent pitches are a whole toneapart, except for the middle two, which are separated by a semitone. These six pitches are named "ut", "re", "mi", "fa", "sol", and "la", with the semitone between "mi" and "fa". These six names are derived from the first syllable of each half-line of the 8th century hymn " Ut queant laxis".
Each hexachord could start on G, C or F and the table to the right, reading upwards from the bottom, shows the notes in each hexachord for each of three octaves. Reading from left to right could, within certain limits, permit notes within different octaves to be distinguished from each other. Thus, C (modern "c") was "C fa ut" (or "Cefaut"), c (modern "c"') was "C sol fa ut", and cc (modern "c") was "C sol fa". Since the lowest pitch was designated by the Greek letter Γ (gamma, for 'g'), the pitch was known as "Gamma ut" or " Gamut", a term which came to designate the range of notes available, and later, a complete range of anything.
The hexachordal system also distinguished between B♭ ("fa" in the F hexachord, and known as "B molle" for 'soft B') and B♮ ("mi" in the G hexachord, and known as "B durum" for 'hard B'). Over time, the soft and hard variants of 'b' were depicted as a rounded '♭' and a squared-off '♮' which gradually developed into the modern flat and natural signs.
Since a single hexachord did not cover every possible note in the range of the gamut (only C-A, F-D excluding B natural, or G-E excluding B flat), singers would have to "mutate" between hexachords if the range of a sixth was exceeded or if there was an alternation between B natural and B flat. In this way the "Guidonian" system of multiple hexachords was different from modern
solfege, where a single set of syllables in one location suffices to name all possible pitches (including, often, chromatic pitches).
Because it included B durum, the G hexachord was called "hexachordum durum"; likewise, the F hexachord was called "hexachordum molle". The C hexachord, containing neither B, was called "hexachordum naturale".
Later changes to this system added hexachords that would accommodate chromatic pitches and a larger range.
Milton Babbitt's serial theory extends the term "hexachord" to refer to a six-note segment of a twelve-tone row.
Allen Fortein his "The Structure of Atonal Music" redefines the term "hexachord" to mean what other theorists (notably including Howard Hansonin his "Harmonic Materials of Modern Music: Resources of the Tempered Scale" and Carlton Gamerin his "Some Combinational Resources of Equal-Tempered Systems") mean by the term "hexad", a six-note pitch collection which is not necessarily a contiguous segment of a scale or a tone row.
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Hexachord — Hex a*chord, n. [Hexa + Gr. ? string, chord: cf. F. hexacorde.] (Mus.) A series of six notes, with a semitone between the third and fourth, the other intervals being whole tones. [1913 Webster] … The Collaborative International Dictionary of English
Hexachord — (a. Musik), 1) die große Sexte; 2) eine Tonleiter von sechs diatonischen Stufen, wovon die 3.–4. einen großen halben Ton ausmachen. Guido von Arezzo gründete darauf sein neues Tonsystem. Vgl. Solmisation … Pierer's Universal-Lexikon
Hexachórd — (griech.), eine Skala von sechs Stufen insbes. die sechsstufige diatonische Tonleiter (mit den Halbton von der 3. zur 4. Stufe: cdefga), die Guido von Arezzo (oder einer seiner Schüler) an Stelle der griechischen Tetrachorde der theoretischen… … Meyers Großes Konversations-Lexikon
Hexachórd — (grch.), die diatonische Folge von 6 Tönen der Durtonleiter (c d e f g a), als Solmisation (s.d.) Grundlage des mittelalterlichen Tonsystems … Kleines Konversations-Lexikon
Hexachord — Hexachord, die Tonleiter mit 6 diatonischen Stufen; mit 6 Saiten bezogenes Instrument; die größte Saite … Herders Conversations-Lexikon
hexachord — [hek′sə kôrd΄] n. [< L hexachordos, having six musical strings or stops < Gr: see HEXA & CHORD2] Medieval Music a diatonic scale of six tones, with a semitone between the third and the fourth … English World dictionary
hexachord — /hek seuh kawrd /, n. Music. a diatonic series of six tones having, in medieval music, a half step between the third and fourth tones and whole steps between the others. [1685 95; < LGk hexáchordos having six strings. See HEXA , CHORD1] * * *… … Universalium
Hexachord — Ein Hexachord (von griech. hexa „sechs“, chordé „Saite“) ist in der Musiktheorie eine Reihe von sechs aufeinanderfolgenden Tönen oder Tonklassen. Inhaltsverzeichnis 1 Hexachorde im Mittelalter 2 Literatur … Deutsch Wikipedia
hexachord — noun Etymology: hexa + Greek chordē string more at yarn Date: 1730 a diatonic series of six tones having a semitone between the third and fourth tones … New Collegiate Dictionary
hexachord — noun a series of six tones denoted with the syllables ut re mi fa sol la separated by seconds, the only of which that is a minor second being mi fa … Wiktionary