- Patent theatre
The patent theatres were the
theatres that were licensed to perform "spoken drama" after the English Restorationof Charles II in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomimeor melodrama. Drama was also interspersed with singing or dancing, to prevent the whole being too serious or dramatic.
Public entertainments, such as theatrical performances, were banned under the
Puritanrule in the English Commonwealth. After he was restored to the throne, Charles II issued letters patentto Thomas Killigrewand William Davenant, granting them the monopolyright to form two Londontheatre companies to perform "serious" drama. The letters patent were reissued in 1662 with revisions allowing actresses to perform for the first time (Fisk 73). Killigrew established his company, the King's Companyat the Theatre Royal, Drury Lanein 1663; Davenant established his company, the Duke's Company, in Lisle's Tennis Courtin Lincoln's Inn Fieldsin 1661, later moving to Dorset Gardenin 1671.
After problems under the direction of Charles Killigrew, Thomas' son, the King's Company was taken over by its rival, the Duke's Company in 1682. The two companies merged and the combined "United Company" continued under
Thomas Bettertonat Drury Lane. After some disagreements, Betterton obtained a license from William III to form a new company at the old theatre in Lincoln's Inn Fields in 1695, which moved to the Theatre Royal, Covent Gardenin 1720 (now the Royal Opera House). The two patent theatres closed in the summer months. To fill the gap, Samuel Foote's Theatre Royal, Haymarketbecame a third patent theatre in London in 1766.
Further letters patent were granted to theatres in other English towns and cities, including the
Theatre Royal, Bathin 1768, the Theatre Royal, Liverpoolin 1772, and the Theatre Royal, Bristolin 1778.
These monopolies on the performance of "serious" plays were eventually revoked by the
Theatres Act 1843, but censorshipof the content of plays by the Lord Chamberlainunder Robert Walpole's Theatrical Licensing Act of 1737 continued until 1968.
*Fisk, Deborah Payne (2001). "The Restoration Actress", Owen, Sue "A Companion to Restoration Drama". Oxford: Blackwell.
* [http://www.hatii.arts.gla.ac.uk/MultimediaStudentProjects/99-00/9702981a/mmcourse/project/html/legit.htm The Patent Theatres: Drury Lane and Covent Garden]
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