3 Active Format Description

Active Format Description

In television technology, Active Format Description (AFD) is a standard set of codes that can be sent in the MPEG video stream or in the baseband SDI video signal that carries information about their aspect ratio and active picture characteristics. It has been used by television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format. It has also been used by broadcasters to dynamically control how down-conversion equipment formats widescreen 16:9 pictures for 4:3 displays.

Standard AFD codes provide information to video devices about where in the coded picture the active video is and also the "protected area" which is the area that needs to be shown. Outside of the protected area, edges at the sides or the top can be removed without the viewer missing anything significant. Video decoders and display devices can then use this information, together with knowledge of the display shape and user preferences, to choose a presentation mode.

AFD can be used in the generation of Widescreen signaling, although MPEG alone contains enough information to generate this. AFDs are not part of the core MPEG standard; they are a DVB extension, which has subsequently also been adopted by ATSC (with some changes). SMPTE has also adopted AFD for baseband SDI carriage as standard SMPTE 2016-1-2007, "Format for Active Format Description and Bar Data".

Active Format Description is occasionally incorrectly referred to as "Active Format Descriptor", which is an error. There is no "descriptor" (descriptor has a specific meaning in ISO/IEC 13818-1, MPEG syntax). The AFD data is carried in the Video Layer of MPEG, ISO/IEC 13818-2. This mistake is very common in the UK, where the term Active Format Descriptor is used by the DTG amongst others. When carried in digital video, AFDs can be stored in the Video Index Information, in line 11 of the video.

By using AFDs broadcasters can also control the timing of Aspect Ratio switches more accurately than using MPEG signalling alone. This is because the MPEG signalling can only change with a new Group of Pictures in the sequence, which is typically around every 12 frames or half a second - this was not considered accurate enough for some broadcasters who were initially switching frequently between 4:3 and 16:9. The number of Aspect Ratio Converters required in a broadcast facility is also reduced, since the content is described correctly it does not need to be resized for broadcast on a platform that supports AFDs.


A widescreen 16:9 signal may be broadcast with AFD 8 or AFD 10, indicating that the entire frame includes important picture information and should not be cropped. On a 4:3 TV, this will then be shown as a 16:9 letterbox to ensure no image is lost. Other widescreen 16:9 content (like sports coverage) may be broadcast with AFD 15, indicating that it is safe to display only the central 4:3 region. On a 4:3 TV, the image will be cropped and it will be shown full-screen.

As of 2006, AFDs are only broadcast in a minority of the countries using MPEG digital television. As a result, the quality of implementation in receivers is variable. Some receivers only respect the basic "active area" information. More fully-featured receivers also support the "safe area" information, and will use this to optimise the display for the shape of the viewer's screen. Display in the compromise 14:9 letterbox format was not supported by initial UK receivers, which limited the value of the AFD flags - this ratio is especially useful when watching widescreen material on smaller 4:3 sets.

AFD for the DTV Transition

As of 2008, a concerted effort on the part of US broadcasters to begin broadcasting AFD is underway in preparation for the US DTV transition which will take place on February 17, 2009.

After the DTV transition, 4:3 versions of programming will not be available directly from a large percentage of US broadcasters. Cable and satellite providers will need to down-convert 16:9 HD feeds from these broadcasters to generate the 4:3 SD versions for their SD viewers. The most common forms of down-conversion are letterbox or center-cut (cropping off the left and right sides of the 16:9 image to fit into the 4:3 raster).

Some US broadcasters will be transmitting AFD with their HD DTV signals in order to maintain control over how SD viewers will receive their programming. With AFD included in these signals, cable and satellite providers will be able to dynamically control whether HD content is to be either letterbox or center-cut for their SD viewers.

Without AFD, either a fixed letterbox or center-cut will be required on a station-by-station basis. A fixed letterbox will result in an undesirable windowbox effect on SD originated programming. A fixed center-cut will result in loss of important picture content on certain HD content (especially feature films).

Complete list of AFD codes

Values from ETSI TS 101 154 V1.7.1 Annex B, ATSC A/53 Part 4 and SMPTE 2016-1-2007

0: ESTI: reserved; ATSC: undefined

1: reserved

2: ETSI: 16:9 active picture (top aligned); ATSC: "not recommended"

3: ETSI: 14:9 active picture (top aligned); ATSC: "not recommended"

4: ETSI: box > 16:9 (center): wider than 16:9 active picture. The aspect ratio of the source area is not given, and the size of the top/bottom bars is not indicated. ATSC: bar data (indicating the extent of top, bottom, left, and right bars) should be transmitted when using this code.

5–7: reserved

8 : 16:9 Full Frame image 9 : 4:3 Pillarbox image 10 : Full Frame 16:9, No cropping allowed. This AFD code was added to the standard to explicitly identify picture content which must not be cropped by a downconverter or display device. In practice, this code is identical to AFD 8. 11 : 14:9 Pillarbox image 12 : unused 13 : 4:3 with shoot and protect 14:9 centre. The term "shoot and protect" is not explained in the standard, but means that the areas above and below the central 14:9 region of the 4:3 active picture can be trimmed without losing important detail. 14 : 16:9 with shoot and protect 14:9 centre. Here, the areas to the right and left of the central 14:9 region of the 16:9 active picture can be trimmed without losing important detail. 15 : 16:9 with shoot and protect 4:3 centre. Here, the areas to the right and left of the central 4:3 region of the 16:9 active picture can be trimmed without losing important detail.

See also

* Letterbox
* Widescreen
* Widescreen signaling (WSS)

External links

* [http://webapp.etsi.org/workprogram/Report_WorkItem.asp?WKI_ID=21480 ETSI TS 101 154 v1.7.1 - the latest version of the DVB standard that defines AFDs]
* [http://www.atsc.org/standards/a53.html ATSC A/53 - the ATSC standard]
* [http://www.nab.org/AFDReady National Association of Broadcasters - AFD Ready Initiative]
* [http://www.dtg.org.uk/reference/tutorial_afd.html Digital TV Group AFD tutorial]
* [http://www.dtg.org.uk/publications/books/afd.pdf DTG digital receiver implementation guidelines]
* [http://www.avison.me.uk/digital_video/dtg_afd/ Explanation of the error in the DTG guidelines]
* [http://www.rsd.de/www/dev_center.nsf/frameset?OpenAgent&website=com&content=/www/dev_center.nsf/html/DV-TCMuseafd Active Format Descriptors explanation]
* [http://www.pjdaniel.org.uk/afd/ AFD codes explained]
* [http://www.bluelucy.com/Shoot%20to%20Protect%2014x9%20safe%20areas.htm Shoot and Protect 14:9 safe areas]

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