Edwin Booth


Edwin Booth

Edwin Thomas Booth (13 November 1833 – 7 June 1893), was a famous 19th century American actor. He was born near Bel Air, Maryland into the English American theatrical Booth family. Booth toured throughout America and to the major capitals of Europe, performing Shakespeare; in 1869 he founded Booth's Theatre in New York, a spectacular theatre that was quite modern for its time. [William Winter. "Life and Art of Edwin Booth". MacMillan and Co., New York. 1893) pp. 48-49.] Some theatre historians consider him the greatest American actor and Hamlet of the 19th century.Morrison, Michael A. 2002. "Shakespeare in North America". In Wells and Stanton (2002, 230–258). p.235-237] He was also the brother of John Wilkes Booth, the assassin of President Abraham Lincoln.

Early life

Booth was the son of another famous actor, Junius Brutus Booth, an Englishman, who named Edwin after Edwin Forrest and Thomas Flynn, two of Junius's colleagues. John Wilkes Booth, the assassin, was Edwin's younger brother and was also an actor.

Career

In his early appearances he usually performed alongside his father, making his stage debut as Tressel in "Richard III" in Boston, Massachusetts in 1849. Two years later, Edwin had his first starring role, standing in for his supposedly ailing father as Richard.

After his father's death in 1852, Booth went on a worldwide tour, visiting Australia and Hawaii, and finally gaining acclaim of his own during an engagement in Sacramento, California in 1856.

Before his brother assassinated the president, Edwin had appeared with his two brothers John Wilkes and Junius Brutus Booth Jr. in "Julius Caesar" in 1864. John Wilkes played Marc Antony, Edwin played Brutus, and Junius played Cassius. It was a benefit show and the first and last time that the brothers would appear together on the same stage. The funds were used to erect a statue of William Shakespeare that still stands in Central Park just south of the Prominade. Immediately following the brothers Booth played "Julius Caesar", Edwin Booth commenced a production of Hamlet on the same stage that came to be known as the "hundred nights "Hamlet", setting a record that lasted until John Barrymore infamously broke the record in 1920, playing the Dane for 101 performances.

From 1863 to 1867, Booth managed Winter Garden Theater in New York City, mostly staging Shakespearean tragedies. In 1865, Booth purchased the Walnut Street Theatre in Philadelphia.

After Lincoln's assassination in April 1865, the infamy associated with the Booth name forced Booth to abandon the stage for many months, a period dramatized in the 1955 Richard Burton movie "Prince of Players", which was adapted from the biography of the same name by Eleanor Ruggles (ISBN 0-8371-6529-6). He made his return to the stage at the The Winter Garden Theatre in January 1866, playing the title role in "Hamlet". Hamlet would eventually become Booth's signature role.

In 1867, a fire damaged The Winter Garden Theatre, resulting in the building's subsequent demolition.

Booth's Theatre

After the fire at The Winter Garden Theatre, Booth built his own theatre, an elaborate structure called Booth's Theatre in Manhattan, which opened on 3 February 1869 with a sumptuous production of "Romeo and Juliet" starring Booth as Romeo, and Mary McVicker as Juliet. Elaborate productions in Booth's Theatre followed, but the theatre never became a profitable or even stable financial venture. The panic of 1873 caused the final bankruptcy of Booth's Theatre in 1874. After the bankruptcy, Booth went on another worldwide tour, eventually regaining his fortune.

Booth was married to Mary Devlin from 1860 to 1863, the year of her death. He & Mary Devlin had one daughter, Edwina, born in 1862. He later remarried, wedding his acting partner, Mary McVicker in 1869, and becoming a widower again in 1881.

In 1869, Edwin acquired his brother John's body after repeatedly writing to the president begging for it. The president finally released the remains, and Edwin had them buried, unmarked, in the family plot at Green Mount Cemetery near Baltimore.

In 1888 Booth founded the Players in New York City, a club for actors and others associated with the arts, and dedicated his home to it. His final performance was, fittingly, in his signature role of Hamlet, in 1891 at the Brooklyn Academy. He died in 1893 at the Players, and was buried at Mount Auburn Cemetery next to his first wife, in Cambridge, Massachusetts.

Edwin Booth and Robert Lincoln

In an interesting coincidence, Edwin Booth saved Abraham Lincoln's son, [Robert Todd Lincoln: A Man In His Own Right by John S. Goff, p. 70-71] Robert, from serious injury or even death. The incident occurred on a train platform in Jersey City, New Jersey. The exact date of the incident is uncertain, but it is believed to have taken place in late 1864 or early 1865, shortly before Edwin's brother, John Wilkes Booth, assassinated President Lincoln.

Robert Lincoln recalled the incident in a 1909 letter to Richard Watson Gilder, editor of "The Century Magazine".

"The incident occurred while a group of passengers were late at night purchasing their sleeping car places from the conductor who stood on the station platform at the entrance of the car. The platform was about the height of the car floor, and there was of course a narrow space between the platform and the car body. There was some crowding, and I happened to be pressed by it against the car body while waiting my turn. In this situation the train began to move, and by the motion I was twisted off my feet, and had dropped somewhat, with feet downward, into the open space, and was personally helpless, when my coat collar was vigorously seized and I was quickly pulled up and out to a secure footing on the platform. Upon turning to thank my rescuer I saw it was Edwin Booth, whose face was of course well known to me, and I expressed my gratitude to him, and in doing so, called him by name."

Booth did not know the identity of the man whose life he had saved until some months later, when he received a letter from a friend, Colonel Adam Badeau, who was an officer on the staff of General Ulysses S. Grant. Badeau had heard the story from Robert Lincoln, who had since joined the Union Army and was also serving on Grant's staff. In the letter, Badeau gave his compliments to Booth for the heroic deed. The fact that he had saved the life of Abraham Lincoln's son was said to have been of some comfort to Edwin Booth following his brother's assassination of the president.

Legacy

The Players' Club still exists at his home, at 16 Gramercy Park South.

There is a chamber in Mammoth Cave in Kentucky called "Booth's Amphitheatre" - so called because Booth actually entertained visitors there.

Memories of Booth can still be found around Bel Air, Maryland. In front of the court house is a fountain dedicated to his memory. Inside the post office there is a portrait of him. Also, his childhood home, [http://www.surratt.org/su_tudor.html Tudor Hall] , still stands and was bought in 2006 by Harford County, Maryland, to become a museum. A statue of him stands in Gramercy Park in New York City near his mansion.

Influence on acting

Edwin's acting style was a reaction against that of his father's. While the senior Booth was, like his contemporaries Edmund Kean and William Charles Macready, strong and bombastic, favoring characters such as Richard III, Edwin played more naturalistically, with a quiet, more thoughtful delivery, tailored to roles like Hamlet.

Modern dramatizations of Booth's life

There have been several modern dramatizations of the life of Edwin Booth, on both stage and screen. One of the most famous was the film "The Prince of Players" of 1955, with a sceenplay by Moss Hart based loosely on the popular book of that name by Eleanor Ruggles, directed by Philip Dunn, starring Richard Burton and Raymond Massey as Edwin and Junius Brutus Booth, Senior, and also featuring Charles Bickford and Eva Le Gallienne (in a cameo playing Gertrude to Burton's Hamlet); the script depicted events in Booth's life surrounding the assassination of Lincoln by Booth's younger brother. [Charles H. Shattuck. "Shakespeare on the American Stage: From the Hallams to Edwin Booth." "Educational Theatre Journal", Vol. 29, No. 4 (The Johns Hopkins University Press, Dec., 1977), p. 579.] Austin Pendleton's play, "Booth" - which depicted the early years of the brothers Edwin, Junius, and John Wilkes Booth and their father - was produced Off Broadway at the York Theatre, starring Frank Langella as Junius Brutus Booth, Senior, called "a psychodrama about the legendary theatrical family of the 19th century" by the "New York Times" [Ben Brantley, "Acting Up a Storm As a Stormy Actor Known for Acting Up," "The New York Times," 24 January 1994.] ; Pendleton had adapted this version from his earlier work, "Booth Is Back", produced at Long Wharf Theatre, New Haven, CT, 1991-1992.

"The Brothers BOOTH!", by W. Stuart McDowell, which focused on the relation of the three Booth brothers leading up to the assassination of Abraham Lincoln, was workshopped with David Strathairn, David Dukes, Angela Goethals, Maryann Plunkett, and Stephan Lang, and presented in New York at Booth's former home on Grammercy Park, The Players; at the Second Stage Theatre in New York; and at The Guthrie Theatre Lab in Minneapolis; and was premiered at the Bristol Riverside Theatre outside Philadelphia in 1992. [History of the Bristol Riverside Theatre, at http://www.brtstage.org/history2.html] A second play by the same name, "The brothers Booth", which focuses on "the world of the 1860s theatre and its leading family" [Dr. Clive Swansbourne, quoted on the cover of "The brothers Booth" by Marshal Bradley. (Authorhouse, 2004).] was written by Marshell Bradley and staged in New York at the Perry Street Theatre in 2004.

"The Tragedian", by playwright and actor Rodney Lee Rogers, is a one-man show about Booth that was produced by PURE Theater of Charleston, SC, in 2007. It was revived for inclusion in the Piccolo Spoleto Arts Festival in May and June 2008.

ee also

* List of show business families
* Asia Booth, his sister

References

External links

*
* [http://www.authorama.com/19th-century-actor-autobiographies-3.html Letters and observations to his daughter and friends]


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