The City in History

The City in History  
Author(s) Lewis Mumford
Country United States
Language English
Publisher Harcourt, Brace & World, Inc.
Publication date 1961
Pages 657
ISBN 0156180359
OCLC Number 7102629

The City in History: Its Origins, Its Transformations, and Its Prospects is a 1961 National Book Award winner by American historian Lewis Mumford.

It was first published by Harcourt, Brace & World (New York).

Mumford notes in his preface that, due to the limitations of his personal experience and study, he is unable to explore regions he has less familiarity:

As in all my other studies of the city, I have confined myself as far as possible to cities and regions I am acquainted with at first hand, and to data in which I have long been immersed. This has limited me to Western civilization, and even there I have been forced to leave out large significant tracts: namely, Spain and Latin America, Palestine, Eastern Europe, Soviet Russia. I regret these omissions; but since my method demands personal experience and observation, something unreplaceable by books, it would take another lifetime to make them good.[1]



In the book Mumford urges for a world not in which technology reigns, but rather where it achieves a balance with nature. His ideal vision is what can be described as an "organic city," where culture is not usurped by technological innovation but rather thrives with it.

Mumford contrasts these cities with those constructed around wars, tyrants, poverty, etc. However, the book is not an attack on the city, but rather an evaluation of its growth, how it came to be, and where it is heading, as evidenced by the final chapter "Retrospect and Prospect."


Mumford's florid writing style is also "organic" compared to the cold, mechanical style of many history texts. Stylistically, his works are full of metaphors and similies, as well as quotations from famous novelists, giving his prose shades of poetry. He refers to such texts as Great Expectations and Hard Times, sometimes using citations to illustrate to the reader what life was like during the industrial era and city in which Dickens lived.

Articles have been written on Mumford's use of metaphors and how his works can often be read as "fiction", in the sense that they have narrative flow. This is evident in the book, in which, instead of a human protagonist on which the story centers, we have the city and its growth in a quasi-bildungsroman fashion.



  1. Sanctuary, Village, and Stronghold
  2. The Crystallization of the City
  3. Ancestral Forms and Patterns
  4. The Nature of the Ancient City
  5. Emergence of the Polis
  6. Citizen Versus Ideal City
  7. Hellenistic Absolutism and Urbanity
  8. Megalopolis into Necropolis
  9. Cloister and Community
  10. Medieval Urban Housekeeping
  11. Medieval Disruptions, Modern Anticipations
  12. The Structure of Baroque Power
  13. Court, Parade, and Capital
  14. Commercial Expansion and Urban Dissolution
  15. Paleolithic Paradise: Coketown
  16. Suburbia--and Beyond
  17. The Myth of Megalopolis
  18. Retrospect and Prospect




  1. ^ Lewis Mumford, The City in History San Diego, Harcourt Inc, 1961; p. XI

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