The Midewiwin (also spelled Midewin and Medewiwin) or the Grand Medicine Society is a secretive religion of the aboriginal groups of the Maritimes, New England and Great Lakes regions in North America. Its practitioners are called Midew and the practices of Midewiwin referred to as Mide. Occasionally, male Midew are called Midewinini, which sometimes is translated into English as either "shaman" or "medicine man".
- 1 Name
- 2 Origins
- 3 Associations
- 4 Degrees
- 5 Medicine
- 6 Medicine bag
- 7 Medicine lodge
- 8 Ceremonies
- 9 Teaching objects
- 10 Three creational ages
- 11 Seven prophetical ages
- 12 See also
- 13 Notes
- 14 References
- 15 External links
The preverb mide can be translated as "mystery," "mysterious," "spiritual," "sanctimonious," "sacred," or "ceremonial", depending on the context of its use. The derived verb midewi, thus means "be in/of mide." The derived noun midewiwin then means "state of being in midewi." Often mide is translated into English as "medicine" (thus the term midewinini "medicine-man") though mide conveys the idea of a spiritual medicine, opposed to mashkiki that conveys the idea of a physical medicine. A practitioner of Midewiwin is called a midew, which can also be rendered as mide'o... both forms of the word derived from the verb midewi, or as a medewid, a gerund from of midewi. Specifically, a male practitioner is called a midewinini ("midew man") and a female practitioner a midewikwe ("midew woman").
Due to the body-part medial de' meaning "heart" in the Anishinaabe language, "Midewiwin" is sometimes translated as "The Way of the Heart." Blessing shares a definition he received from Thomas Shingobe, a "Mida" (a Midewiwin person) of the Mille Lacs Indian Reservation in 1969, who told him that "the only thing that would be acceptable in any way as an interpretation of 'Mide' would be 'Spiritual Mystery'." However, fluent speakers of Anishinaabemowin often caution that there are many words and concepts that have no direct translation to English.
According to historian Michael Angel, the Midewiwin was a "flexible, tenacious tradition that provided an institutional setting for the teaching of the world view (religious beliefs) of the Ojibwa people". Commonly among the Anishinaabeg, Midewiwin is ascribed to Nanabozho as its founder. However, among the Abenakis, Midewiwin is ascribed to Mateguas, who upon his death and needing to comfort his brother who is still alive, bestowed the Midewiwin to his grieving brother Gluskab. However, Hoffman records that according to the Mille Lacs Indians chief Bayezhig ("Lone One"), Midewiwin had it origin as:
- "In the beginning, Gichi Manidoo made the mide manidoog. He first created two men, and two women; but they had no power of thought or reason. Then Gichi Manidoo made them rational beings. He took them in his hands so that they should multiply; he paired them, and from this sprung the Anishinaabe. When there were people he placed them upon the earth, but he soon observed that they were subject to sickness, misery, and death, and that unless he provided them with the Sacred Medicine they would soon become extinct.
- "Between the position occupied by Gichi Manidoo and the earth were four lesser manidoog with whom Gichi Manidoo decided to commune, and to impart to them the mysteries by which the Anishinaabeg could be benefited. So he first spoke to a manidoo and told him all he had to say, who in turn communicated the same information to the next, and he in turn to next, who also communed with the next. They all met in council, and determined to call in the four wind manidoog. After consulting as to what would be best for the comfort and welfare of the Anishinaabeg, these manidoog agreed to ask Gichi Manidoo to communicate the Mystery of the Sacred Medicine to the people.
- "Gichi Manidoo then went to the Sun Spirit and asked him to go to the earth and instruct the people as had been decided upon by the council. The Sun Spirit, in the form of a little boy, went to the earth and lived with a woman who had a little boy of her own.
- "This family went away in the autumn to hunt, and during the winter this woman’s son died. The parents were so much distressed that they decided to return to the village and bury the body there; so they made preparations to return, and as they traveled along, they would each evening erect several poles upon which the body was placed to prevent the wild beasts from devouring it. When the dead boy was thus hanging upon the poles, the adopted child—who was the Sun Spirit—would play about the camp and amuse himself, and finally told his adopted father he pitied him, and his mother, for their sorrow. The adopted son said he could bring his dead brother to life, whereupon the parents expressed great surprise and desired to know how that could be accomplished.
- "The adopted boy then had the party hasten to the village, when he said, “Get the women to make a wiigiwaam of bark, put the dead boy in a covering of wiigwaas and place the body on the ground in the middle of the wiigiwaam.” On the next morning after this had been done, the family and friends went into this lodge and seated themselves around the corpse.
- "When they had all been sitting quietly for some time, they saw through the doorway the approach of a bear, which gradually came towards the wiigiwaam, entered it, and placed itself before the dead body and said, “ho, ho, ho, ho,” when he passed around it towards the left side, with a trembling motion, and as he did so, the body began quivering, and the quivering increased as the bear continued until he had passed around four times, when the body came to life again and stood up. Then the bear called to the father, who was sitting in the distant right-hand corner of the wiigiwaam, and addressed to him the following words:
Noos gaawiin anishinaabewisii, ayaawiyaan manidoo ningwisis. My father is not an Indian not, I am a spirit son.
Bi-mayaa minik niiji- manidoo mayaa zhigwa ji-gi-aawiyan. Insomuch my fellow spirit clearly now as you are.
Noose, zhigwa asemaa ji-atooyeg. E-mikondem mii eta My father, now tobacco you shall put. He mentions of that only
aabiding ji-gashkitood wenji- bimaadizid omaa agaawaa once to be able to do it why he shall live here scarcely
bimaadizid mii omaa; niiji- manidoo mayaa zhigwa ji-giiweyaan. he lives thus here; my fellow spirit clearly now I shall go home.
- "The little bear boy was the one who did this. He then remained among the Anishinaabeg and taught them the mysteries of the Midewiwin; and, after he had finished, he told his adopted father that as his mission had been fulfilled he was to return to his kindred manidoog, for the Anishinaabeg would have no need to fear sickness as they now possessed the Midewiwin which would enable them to live. He also said that his spirit could bring a body to life but once, and he would now return to the sun from which they would feel his influence."
This event is called Gwiiwizens wedizhichigewinid—Deeds of a Little-boy.
Tribal groups who have such societies include the Abenaki, Quiripi, Nipmuc, Wampanoag, Anishinaabe (Algonquin, Ojibwa/Chippewa, Odawa/Ottawa and Potawatomi), Miami, Fox, Sac, Sioux and the Winnebago. These indigenous peoples of Turtle Island (North America) known either as First Nations or as Native Americans passed along birch bark scrolls, teachings, and have degrees of initiations and ceremonies. They are often associated with the Seven Fires Society, and other aboriginal groups or organizations. The Miigis shell, or cowrie shell, is used in some ceremonies, along with bundles, sacred items, etc. There are many oral teachings, symbols, stories, history, and wisdom passed along and preserved from one generation to the next by these groups.
Whiteshell Provincial Park is named after the white shell (cowrie) used in Midewiwin ceremonies. This park contains some petroforms that are over 1000 years old, or possibly older, and therefore may predate some aboriginal groups that came later to the area.
The Mide practitioners are initiated and ranked by "degrees." Much like the apprentice system or an academic degree programs, a practitioner cannot advance to the next higher degree until completing the required tasks and gain the full knowledge of that degree's requirements. Only after successful completion, may a candidate be considered for advancement into the next higher degree.
The accounts regarding the extended Fourth Degrees vary from region to region. All Midewiwin groups claim the extended Fourth Degrees are specialized forms of the Fourth Degree. Depending on the region, these extended Fourth Degree Midew can be called "Fifth Degree" up to "Ninth Degree." In parallel, if the Fourth Degree Midew is to a doctorate degree, the Extended Fourth Degree Midew is to a post-doctorate degree.
The Jiisakiwinini is widely referred to by Elders as the "highest" degree of all the medicine practitioners in the Mide as it is Spiritual medicine as opposed to physical/plant based medicine. 
The midewigaan ("mide lodge"), also known as mide-wiigiwaam ("mide wigwam") when small or midewigamig ("mide structure") when large, is known in English as the "Grand Medicine Lodge" and is usually built in an open grove or clearing. A midewigaan is a domed structure with the proportion of 1 unit in width by 4 units in length. Though Hoffman records these domed oval structures measuring about 20 feet in width by 80 feet in length, the structures are sized to accommodate the number of invited participants, thus many midewigaan for small mide communities in the early 21st century are as small as 6 feet in width and 24 feet in length and larger in those communities with more mide participants. The walls of the smaller mide-wiigiwaam consist of poles and saplings from 8 to 10 feet high, firmly planted in the ground, wattled with short branches and twigs with leaves. In communities with significantly large mide participants (usually of 100 people or more participants), the midewigamig becomes a formal and permanent ceremonial building that retains the dimensions of the smaller mide-wiigiwaam; a midewigamig might not necessarily be a domed structure, but typically may have vaulted ceilings.
Openings to the mide-wiigiwaam are on either end of the lodge, extending east and west with the main entrance toward that point of the compass at which the sun rises. In the east and west walls are left open spaces, each about 3 to 4 feet wide, used as entrances to the enclosure. From each side of the opening the wall-like structure extends at right angles to the end wall, appearing like a short hallway leading to the enclosure, and resembles double doors opened outward. Saplings thrown across the top of the structure serve as rafters, upon which are laid branches with leaves, and pieces of bark, to sufficiently shade the occupants from the rays of the sun. Several saplings extend across the enclosure near the top, while a few are attached to these so as to extend longitudinally, from either side of which presents of blankets, etc., may be suspended. At a distance about a sixth of the lodge's length from the main entrance, a large flattened stone, measuring more than a foot in diameter, is placed upon the ground. This is used when subjecting to treatment a patient; and at a corresponding distance from the western door is planted the sacred mide post of cedar, that for the first degree being about 7 feet in height and 6 or 8 inches in diameter. It is painted red, with a band of green 4 inches wide around the top. Upon the post is fixed the stuffed body of an owl. Upon that part of the floor midway between the stone and the mide post is spread a blanket, upon which the gifts and presents to the society are afterward deposited. A short distance from each of the outer angles of the structure are planted cedar or pine trees, each about 10 feet in height. Design of the larger midewigamig is similar to that of the smaller mide-wiigiwaam, but as this structure is a formal building, saplings are not used. The high-dome or vaulted ceilings allow for the rays of the sun to enter the building and permeate the ceremonial area with light.
Design of the jiisakiiwigaan ("'juggler' lodge" or "Shaking Tent" or traditionally "shaking wigwam") is similar in construction as that of the mide-wiigiwaam. Unlike a mide-wiigiwaam that is an oval domed structure, the jiisakiiwigaan is a round high-domed structure of typically 3 feet in diameter and 6 feet in height, and large enough to hold two to four people.
Annual and seasonal ceremonies
- Aabita-biboon (Midwinter Ceremony)
- Animoosh ([White] Dog Ceremony)
- Jiibay-inaakewin or Jiibenaakewin (Feast of the Dead)
- Gaagaagiinh or Gaagaagishiinh (Raven Festival)
- Zaazaagiwichigan (Painted Pole Festival)
- Mawineziwin ("War [Remembrance] Dance")
- Wiikwandiwin ([Seasonal] Ceremonial Feast)—performed four times per year, once per season. The Wiikwandiwin is begun with a review of the past events, hope for a good future, a prayer and then the smoking of the pipe carried out by the heads of the doodem. These ceremonies are held in mid-winter and mid-summer in order to bring together peoples various medicines and combine their healing powers for revitalization. Each Wiikwandiwin is a celebration to give thanks, show happiness and respect to Gichi-manidoo. It is customary to share the first kill of the season during the Wiikwandiwin. This would show Gichi-manidoo thanks and also ask for a blessing for the coming hunt, harvest and season.
Rites of passage
- Nitaawigiwin (Birth rites)—ceremony in which a newborn's umbilical cord is cut and retained
- Waawiindaasowin (Naming rites)—ceremony in which a name-giver presents a name to a child
- Oshki-nitaagewin (First-kill rites)—ceremony in which a child's first successful hunt is celebrated
- Makadekewin (Puberty fast rites)—upon reaching puberty, a child goes through a vision quest to determine path into adulthood
- Wiidigendiwin (Marriage rites)—ceremony in which a couple is joined into a single household
- Bagidinigewin (Death rites)—wake, funeral and funerary feast
- Jiisakiiwin (Shaking tent)—ceremony conducted by a Shaking-tent seer (jaasakiid; a male jaasakiid known as a jiisakiiwinini or a female jaasakiid known as a jiisakiiwikwe), often called a "Juggler" in English, who would enter the tent to conjure spirits and speak beyond this world.
- Bagisewin (Present)—custom at the end of a wedding ceremony in which the bride presents wood at the groom's feet as a wedding present.
- Ishkwaandem-wiikwandiwin (Entry-way Feast)—A ceremony performed by women who took a piece of wood out to the bushes to offer it to Gichi-manidoo, and brought something back as well. This ceremony represents the woman's vital place in the household as a homemaker whom asked for blessing from Gichi-manidoo so that the home would be safe and warm.
Called wiigwaasabakoon in the Anishinaabe language, birch bark scrolls were used to pass on knowledge between generations. When used specifically for Midewiwin ceremonial use, these wiigwaasabakoon used as teaching scrolls were called Mide-wiigwaas ("Medicine birch [bark scroll]"). Early accounts of the Mide from books written in the 1800s describe a group of elders that protected the birch bark scrolls in hidden locations. They recopied the scrolls if any were badly damaged, and they preserved them underground. These scrolls were described as very sacred and the interpretations of the scrolls were not easily given away. Current theories claim the Ojibwe Nation is possibly descended from the Hopewell People who formed a vast trading network across the North American continent. The historical areas of the Ojibwe were recorded, and stretched from the east coast all the way to the prairies by way of lake and river routes. Some of the first maps of rivers and lakes were made by the Ojibwe and written on birch bark.
"The Teachings of the Midewiwin were scratched on birch bark scrolls and were shown to the young men upon entrance into the society. Although these were crude pictographs representing the ceremonies, they show us that the Ojibwa were advanced in the development of picture "writing." Some of them were painted on bark. One large birch bark roll was "known to have been used in the Midewiwin at Mille Lacs for five generations and perhaps many generations before", and two others, found in a seemingly deliberate hiding place in the Head-of-the-Lakes region of Ontario, were carbon-dated to about 1560 CE +/-70. The author of the original report on these hidden scrolls advised: "Indians of this region occasionally deposited such artifacts in out-of-the-way places in the woods, either by burying them or by secreting them in caves. The period or periods at which this was done is far from clear. But in any event, archaeologists should be aware of the custom and not overlook the possibility of their discovery."
Teaching stones known in the Anishinaabe language as either Gikinoo'amaagewaabik or Gikinoo'amaage-asin can be either petroglyphs or petroform.
Three creational ages
The three creational ages begin with the Ancient age where humanity and animal-life are undifferentiated.
In the Golden age animals are still humans, but quantitatively different.
With the Present age, animals and humanity are totally differentiated.
Seven prophetical ages
Seven fires prophecy is a prophecy originally taught among the practitioners of Midewiwin. Each fire represents a prophetical age, marking phases, or epochs, in the life of the people on Turtle Island (North America). The Seven fires prophecy represent key spiritual teachings for North America, and suggest that the different colors and traditions of the human beings can come together on a basis of respect. The Algonquins are the keepers of the seven fires prophecy wampum.
- Hopewell culture
- Abenaki mythology
- Anishinaabe traditional beliefs
- Walam Olum
- The red road
- ^ a b Benton Banai
- ^ Blessing
- ^ Battiste
- ^ Angel
- ^ Coleman, Bernard "The Religion of the Ojibwa of Northern Minnesota", in Primitive Man, Vol. 10, No. 3/4. (Jul-Oct 1937) pp 33-57
- ^ a b Kidd, Kenneth E. "Birch-bark Scrolls in Archaeological Contexts", in American Antiquity, Vol. 30 No. 4 (1965) p480.
- ^ Rajnovich, Grace "Reading Rock Art: Interpreting the Indian Rock Paintings of the Canadian Shield". Dundurn Press Ltd. (1994) ISBN 0920474721
- Angel, Michael. Preserving the Sacred: Historical Perspectives on the Ojibwa Midewiwin. (Winnipeg: University of Manitoba Press, 2002).
- Bandow, James B. "White Dogs, Black Bears & Ghost Gamblers: Two Late Woodland Midewiwin Aspects from Ontario". IN Gathering Places in Algonquian Social Discourse. Proceedings of the 40th Algonquian Conference, Karle Hele & Regna Darnell (Editors). (SUNY Press, 2008)
- Barnouw, Victor. "A Chippewa Mide Priest's Description of the Medicine Dance" in Wisconsin Archeologist, 41(1960), pp. 77–97.
- Battiste, Marie, ed. Reclaiming Indigenous Voice and Vision (Vancouver, BC: University of British Columbia Press, 2000).
- Benton-Banai, Edward. The Mishomis Book - The Voice of the Ojibway. (St. Paul: Red School House publishers, 1988).
- Blessing, Fred K., Jr. The Ojibway Indians observed. (Minnesota Archaeological Society, 1977).
- Deleary, Nicholas. "The Midewiwin, an aboriginal spiritual institution. Symbols of continuity: a native studies culture-based perspective." Carleton University MA Thesis, M.A. 1990.
- Densmore, Frances. Chippewa Customs. (Reprint: Minnesota Historical Press, 1979).
- Dewdney, Selwyn Hanington. The Sacred Scrolls of the Southern Ojibway. (Toronto: University of Toronto Press, 1975).
- Gaywish, Rainey. (2008).
- Grim, J.A. The shaman: Patterns of religious healing among the Ojibway Indians. (Norman: University of Oklahoma Press, 1983).
- Gross, Lawrence W. "Bimaadiziwin, or the 'Good Life,' as a Unifying Concept of Anishinaabe Religion" in American Indian Culture and Research Journal, 26(2002):1, pp. 15–32.
- Hirschfelder, Arlene B. and Paulette Molin, eds. The Encyclopedia of Native American Religions. (New York: Facts of File, 1992) ISBN 0816020175
- Hoffman, Walter James. "The Midewiwin, or 'Grand Medicine Society', of the Ojibwa" in Smithsonian Institution, U.S. Bureau of Ethnology Report, v. 7, pp. 149-299. (Washington, DC: Government Printing Office, 1891).
- Johnston, Basil. "The Society of Medicine\Midewewin" in Ojibway Ceremonies, pp. 93–112. (Lincoln: University of Nebraska Press, 1990). ISBN 0803275730
- Landes, Ruth. Ojibwa Religion and the Midéwiwin. (Madison: University of Wisconsin Press, 1968).
- Roufs, Tim. When Everybody Called Me Gah-bay-bi-nayss: "Forever-Flying-Bird". An Ethnographic Biography of Paul Peter Buffalo. (Duluth: University of Minnesota, 2007).
- Vecsey, Christopher. Traditional Ojibwa Religion and its Historical Changes. (Philadelphia: American Philosophical Society, 1983).
- Warren, William W. History of the Ojibway People. (1851)
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