psychology, visual perception is the ability to interpret information from visible lightreaching the eyes. The resulting perceptionis also known as eyesight, sight or vision. The various physiological components involved in vision are referred to collectively as the visual system.
The visual system in humans allows individuals to assimilate information from the environment. The act of seeing starts when the lens of the eye focuses an image of its surroundings onto a light-sensitive membrane in the back of the eye, called the
retina. The retina is actually part of the brainthat is isolated to serve as a transducerfor the conversion of patterns of light into neuronal signals. The lens of the eye focuses light on the photoreceptive cells of the retina, which detect the photons of light and respond by producing neural impulses. These signals are processed in a hierarchical fashion by different parts of the brain, from the retina to the lateral geniculate nucleus, to the primary and secondary visual cortexof the brain.
Study of visual perception
The major problem in visual perception is that what people see is not simply a translation of retinal stimuli (i.e., the image on the retina). Thus people interested in perception have long struggled to explain what visual processing does to create what we actually see.
Early studies on visual perception
There were two major ancient Greek schools, providing a primitive explanation of how vision is carried out in the body.
The first was the "emission theory" which maintained that vision occurs when rays emanate from the eyes and are intercepted by visual objects. If we saw an object directly it was by 'means of rays' coming out of the eyes and again falling on the object. A refracted image was, however, seen by 'means of rays' as well, which came out of the eyes, traversed through the air, and after refraction, fell on the visible object which was sighted as the result of the movement of the rays from the eye. This theory was championed by scholars like
Euclidand Ptolemyand their followers.
The second school advocated the so called the 'intromission' approach which sees vision as coming from something entering the eyes representative of the object. With its main propagators Aristotle, Galen and their followers, this theory seems to have touched a little sense on what really vision is, but light did not play any role in this theory and it remained only a speculation lacking any experimental foundation.
Ibn al-Haytham(also known as "Alhacen" or "Alhazen"), the "father of optics", was the first to reconcile both schools of thought in his influential " Book of Optics" (1021). He argued that vision is due to light from objects entering the eye, and he developed an early scientific methodemphasizing extensive experimentation in order to prove this. He pioneered the scientific study of the psychology of visual perception, being the first scientistto argue that vision occurs in the brain, rather than the eyes. He pointed out that personal experience has an effect on what people see and how they see, and that vision and perception are subjective. He explained possible errors in vision in detail, and as an example, describes how a small child with less experience may have more difficulty interpreting what he/she sees. For a little child however ugly a mother is , it does not matter to it as the definition of beauty is not that well defined for the little child as it is with any other adult . He also gives an example of an adult that can make mistakes in vision because of how one's experience suggests that he/she is seeing one thing, when he/she is really seeing something else.This can be easily related to the famous saying " Beauty lies in the eye of the beholder". That is a flower which may appear beautiful for one adult, may not appeal that much to the other.Bradley Steffens (2006). "Ibn al-Haytham: First Scientist", Chapter 5. Morgan Reynolds Publishing. ISBN 1599350246.] Al-Haytham carried out many investigations and experiments on visual perception, extended the work of Ptolemyon binocular vision, and commented on the anatomical works of Galen.cite journal |author=Howard, I |title=Alhazen's neglected discoveries of visual phenomena |journal=Perception |volume=25 |pages=1203–1217 |year=1996 |doi=10.1068/p251203] cite journal |author=Omar Khaleefa |year=1999 |title=Who Is the Founder of Psychophysics and Experimental Psychology? |journal=American Journal of Islamic Social Sciences |volume=16 |issue=2] Leonardo DaVinci,1452-1519, was the first to recognize the special optical qualities of the eye. He wrote "The function of the human eye, ... was described by a large number of authors in a certain way. But I found it to be completely different." His main experimental finding was that there is only a distinct and clear vision at the line of sight, the optical line that ends at the fovea. Although he did not use these words literally he actually is the father of the modern distinction between foveal vision and peripheral vision.
Hermann von Helmholtzis often credited with the first study of visual perception in modern times. Helmholtz examined the human eye and concluded that it was, optically, rather poor. The poor quality information gathered via the eye seemed to him to make vision impossible. He therefore concluded that vision could only be the result of some form of unconscious inferences: a matter of making assumptions and conclusions from incomplete data, based on previous experiences.
Inference requires prior experience of the world: examples of well-known assumptions - based on visual experience - are:
*light comes from above
*objects are normally not viewed from below
*faces are seen (and recognized) upright [Hans-Werner Hunziker, (2006) Im Auge des Lesers: foveale und periphere Wahrnehmung - vom Buchstabieren zur Lesefreude ["In the eye of the reader:" foveal and peripheral perception - from letter recognition to the joy of reading] Transmedia Stäubli Verlag Zürich 2006 ISBN 978-3-7266-0068-6]
The study of
visual illusions(cases when the inference process goes wrong) has yielded much insight into what sort of assumptions the visual system makes.
Another type of the unconscious inference hypothesis (based on probabilities) has recently been revived in so-called
Bayesianstudies of visual perception. Proponents of this approach consider that the visual system performs some form of Bayesian inferenceto derive a perception from sensory data. Models based on this idea have been used to describe various visual subsystems, such as the perception of motion or the perception of depth. [Mamassian, Landy & Maloney (2002)] [ [http://www.purveslab.net/research/ A Primer on Probabilistic Approaches to Visual Perception] ]
Gestalt psychologists working primarily in the 1930s and 1940s raised many of the research questions that are studied by vision scientists today.
The Gestalt Laws of Organization have guided the study of how people perceive visual components as organized patterns or wholes, instead of many different parts. Gestalt is a German word that translates to "configuration or pattern". According to this theory, there are six main factors that determine how we group things according to visual perception: Proximity, Similarity, Closure, Symmetry, Common fate and Continuity.
One of the reasons why Gestalt laws have often been disregarded by cognitive psychologists is a lack of understanding the nature of
peripheral vision. It is true that visual perceptiononly takes place during fixations.
But during fixations not only the high definition
fovealvision at the fixationpoint, but also the peripheral visionis functioning. Due to its lack of acuity and relative independence of eye position (due to its extreme wide angle) it is an image compressing system.
fovealvision is very slow (only 3 to 4 high quality telescopic images per second), peripheral visionis very inaccurate but also very fast (up to 90 images per second - permitting to see the flicker of the European 50 HzTV images). Elements of the visual field are thus grouped automatically according to laws like Proximity, Similarity, Closure, Symmetry, Common fate and Continuity.
Analysis of Eye-Movements
During the 1960s the technical development permitted the continuous registration of eye movements during reading [TAYLOR, ST.: Eye Movements in Reading: Facts and Fallacies. American Educational Research Association, 2 (4), 1965, 187-202.] in picture viewing [Yarbus, A. L. (1967). Eye movements and vision, Plenum Press, New York] and later in visual problem solving [Hunziker, H. W. (1970). Visuelle Informationsaufnahme und Intelligenz: Eine Untersuchung über die Augenfixationen beim Problemlösen. Schweizerische Zeitschrift für Psychologie und ihre Anwendungen, 1970, 29, Nr 1/2] and when headset-cameras became available, also during driving. [Cohen, A. S. (1983). Informationsaufnahme beim Befahren von Kurven, Psychologie für die Praxis 2/83, Bulletin der Schweizerischen Stiftung für Angewandte Psychologie]
The picture to the left shows what may happen during the first two seconds of visual inspection. While the background is out of focus, representing the
peripheral vision, the first eye movement goes to the boots of the man (just because they are very near the starting fixation and have a reasonable contrast).
The following fixations jump from face to face. They might even permit comparisons between faces.
It may be concluded that the icon "face" is a very attractive search icon within the peripheral field of vision. The
fovealvision adds detailed information to the peripheral "first impression".
The cognitive and computational approaches
The major problem with the Gestalt laws (and the Gestalt school generally) is that they are "descriptive" not "explanatory". For example, one cannot explain how humans see continuous contours by simply stating that the brain "prefers good continuity". Computational models of vision have had more success in explaining visual phenomena and have largely superseded Gestalt theory. More recently, the computational models of visual perception have been developed for Virtual Reality systems - these are closer to real life situation as they account for motion and activities which populate the real world. [A.K.Beeharee - http://www.cs.ucl.ac.uk/staff/A.Beeharee/research.htm] Regarding Gestalt influence on the study of visual perception, Bruce, Green & Georgeson conclude:
:"The physiological theory of the Gestaltists has fallen by the wayside, leaving us with a set of descriptive principles, but without a model of perceptual processing. Indeed, some of their "laws" of perceptual organisation today sound vague and inadequate. What is meant by a "good" or "simple" shape, for example?" cite book |author=Bruce, V., Green, P. & Georgeson, M. |title=Visual perception: Physiology, psychology and ecology |publisher=LEA |year=1996 | edition=3rd |pages=110]
In the 1980s David Marr developed a multi-level theory of vision, which analysed the process of vision at different levels of abstraction. In order to focus on the understanding of specific problems in vision, he identified (with
Tomaso Poggio) three levels of analysis: the "computational", "algorithmic" and "implementational" levels.
The "computational level" addresses, at a high level of abstraction, the problems that the visual system must overcome. The "algorithmic level" attempts to identify the strategy that may be used to solve these problems. Finally, the "implementational level" attempts to explain how these problems are overcome in terms of the actual neural activity necessary.
Marr suggested that it is possible to investigate vision at any of these levels independently. Marr described vision as proceeding from a two-dimensional visual array (on the retina) to a three-dimensional description of the world as output. His stages of vision include:
* a 2D or primal sketch of the scene, based on feature extraction of fundamental components of the scene, including edges, regions, etc. Note the similarity in concept to a pencil sketch drawn quickly by an artist as an impression.
* a 2-1/2 D sketch of the scene, where textures are acknowledged, etc. Note the similarity in concept to the stage in drawing where an artist highlights or shades areas of a scene, to provide depth.
* a 3 D model, where the scene is visualized in a continuous, 3-dimensional map.cite book |title=Vision: A Computational Investigation into the Human Representation and Processing of Visual Information |author=Marr, D |year=1982 |publisher=MIT Press]
Marr unfortunately died of
leukemiain Cambridge, Massachusettsat the age of 35, but his theory provides an important framework for the continued investigation of vision.
Scotopic Sensitivity Syndrome
* [http://enane.de/cont.htm Empiristic theory of visual gestalt perception]
* [http://www.aber.ac.uk/media/Modules/MC10220/visper03.html Visual Perception 3 - Cultural and Environmental Factors]
* [http://www.sapdesignguild.org/resources/optical_illusions/gestalt_laws.html Gestalt Laws]
* [http://develintel.blogspot.com/2006/01/kosslyns-cognitive-architecture.html Summary of Kosslyn et al.'s theory of high-level vision]
* [http://webvision.med.utah.edu/ The Organization of the Retina and Visual System]
* [http://dr.trippy.googlepages.com Dr Trippy's Sensorium] A website dedicated to the study of the human sensorium and organisational behaviour
* [http://demonstrations.wolfram.com/EffectOfDetailOnVisualPerception/ Effect of Detail on Visual Perception] by Jon McLoone,
The Wolfram Demonstrations Project.
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