Infobox Radio station
name = KLYT

city = Albuquerque, New Mexico
area =
slogan =
branding = "M88"
frequency = 88.3 MHz
airdate =
share =
share as of =
share source =
format = Contemporary Christian
power =
erp = 4,100 watts
haat = 1294.0 meters
class = C0
facility_id = 10945
coordinates = coord|35|12|49.00|N|106|27|1.00|W|region:US_type:city
callsign_meaning =
former_callsigns =
owner = Calvary Chapel of Albuquerque, Inc.
licensee =
sister_stations =
webcast =
website = [http://www.m88.org m88.org]
affiliations =

KLYT (88.3 FM) is a radio station broadcasting a Contemporary Christian format. Licensed to Albuquerque, New Mexico, USA, the station serves the New Mexico area. The station is currently owned by Calvary Chapel of Albuquerque, Inc.. [ cite web|url=http://www.fcc.gov/fcc-bin/fmq?call=KLYT |title=KLYT Facility Record |work=United States Federal Communications Commission, audio division ] Marketed as "M88," the station's format targets listeners ranging from middle school through college with a mix of Christian rock, pop and hip hop. The station is heard via its main transmitter atop Sandia Peak, throughout New Mexico and portions of southern Colorado through a network of 15 translators, and around the world via Internet streaming.


;The Christian Broadcasting Academy Era 1975-2001KLYT signed on the air in 1975 with a light contemporary Christion music format under the auspices of the newly formed Christian Broadcasting Academy. The vision of CBA founders, including Rev. Raymond Franks of Albuquerque's Evangel Temple Assembly of God, Paul Lehrman as Program manager, and Dave Briggs as Chief Engineer, was to train Christians for careers in secular and religious broadcasting. Early brochures show CBA students working with television cameras and in the radio station. KLYT-FM was licensed by the FCC as a non-profit, educational outlet for CBA, and volunteers operating the station were drawn directly from its classes. John Duffy was among the first paid staff members for the station, which only broadcast only a few miles over Albuquerque's Northeast area at the time.

;The Emert Experiment

Good Friday, 1978 marked the first major turning point for the young station. A University of Texas graduate and New York City broadcaster named Victor R. Emert was introduced to the KLYT staff as the new General Manager. He had recently resigned as Executive Director of Drug Addicts Recovery Enterprises, a local, faith-based substance abuse treatment center for heroin addicts. Among the discussion topics during Emert's introductory staff meeting was the desire by the announcers to play the growing supply of rock, country and blues-based "Jesus Music" produced by artists such as Resurrection Band, Michael Omartian, Randy Stonehill and Larry Norman. Emert enthusiastically agreed to guide them in building the station into the premier "Christian Rock" station in the country.

Within a year, the station had a new Board, a new transmitter located high above the city on Sandia Peak -- expanding its listening range from 10 to 100 miles -- and moved the studios to the new facilities on Eubank Avenue, hand-made from scratch by Emert, Duffy and numerous volunteers and donated materials.

Over the next few years, Christian rock began to play a larger role in KLYT's playlist, culminating with the launch of the "Christian Oriented Rock" (C.O.R.) format in 1982. Under the leadership of Emert, Program Director Rudy Grande and Production Director Mike Scott the station emerged as an influential force on Albuquerque's religious scene and on the national Christian broadcasting scene. KLYT was named "Contemporary Christian Radio Station of the Year" in 1983 by the Gospel Music Association.Through a partnership with Mountaintop Promotions, KLYT brought in monthly concerts by emerging Christian rock artists such as Keith Green, Randy Matthews, Daniel Amos, Petra, DeGarmo and Key, and other key players in the burgeoning Christian music industry. Students at area public schools would often hear KLYT during lunchtime in the school cafeteria as it was played in rotation with popular non-religious music stations.

The station's playlist during this period reflected a growing trend among artists that had already achieved fame in the secular music arena. Bob Dylan's albums were a mainstay (a very large poster for Dylan's "Infidels" LP filled the wall of Emert's office). KLYT listeners during the early 1980s also heard a broad range of Christian groups and solo artists that had hits on secular stations across the dial. Among them were Donna Summer, Michael McDonald (Doobie Brothers, Steely Dan), Kerry Livgren (Kansas), Mark Farner (Grand Funk Railroad), Philip Bailey (Earth Wind & Fire), Al Green, Dan Peek (America), along with New Wave bands U2, After the Fire and Kajagoogoo. Each of these artists crossing over from the secular realm had their Christian music channeled and tracked through the religious music industry. However, there was debate among the station's leadership on whether the station should play music from groups at the edge of the Christian music scene, including U2 and Vinyl Confessions-era Kansas. Though some of these groups never made the airwaves, KLYT released positive music reviews of their albums and discussions of the topic in the station's monthly newspaper, the "Sonlyght Special".

In addition to KLYT's music programming, listeners were also offered teaching programs. This included the "Rock and Religion" program produced in Sacramento, California and hosted by Mary Neely (Mike Roe of 77's fame was a young producer on the show). Other shows included "The Glory of Man," hosted by Joyce Emert, the general manager's wife and a highly regarded professor of English and Religious Studies at the University of New Mexico.1 Emert, Duffy, Grande, Scott and others also taught classes in broadcasting at the parent CBA.

During this period, the bulk of the station's disk jockeys came from CBA's basic broadcasting class. Many aspiring broadcasters were able to obtain their Third Class Radio Operator's Permit through the CBA class, and gained valuable on-air experience hosting programs and producing shows for the station. The station also grew in stature within the Christian music industry, becoming a leader in youth-oriented music formatting and the development of relationships between the station's management and prominent artists.

;A Time of Uncertainty

By the mid-1980s the station began to experience trouble. KLYT's programming veered away from its roots as a Christian music station. Attempts to rebrand KLYT as a "positive" music station without a distinctly religious orientation were not well received by KLYT's listener and contributor base. Vic and Joyce Emert's marriage dissolved during this period. The net result was that the ministry's financial support base severely diminished between 1985 and 1986, bringing on the danger of bankruptcy.

With the departure of Emert, Grande and other core members of the staff, the station's board was left to make critical decision regarding the future of KLYT and CBA. An interim program director was appointed, and the station struggled to meet the paychecks of the diminishing staff. The board made the decision to attempt a revival of the station, focusing on what it was best known for, youth-oriented Christian music programming.

;The Rich Administration

In 1986, CBA's board of directors elevated member Randy Rich to General Manager. Rich had served on the board since 1982, and had previously managed another Christian radio station in Albuquerque, KKIM-AM. However, Rich's claim to fame was his experience as an NFL player. After playing for the University of New Mexico Lobos, he went on to a career with several professional teams, including the Cleveland Browns, Detroit Lions and the Denver Broncos. Rich played the position of safety in the 1978 Super Bowl between the Broncos and Dallas Cowboys.2

To help facilitate KLYT's recovery, Rich brought on Tucson talk show and sports host Mark Gilman (KNST) to head up programming and host the morning show, as well as develop a new high school sports broadcasting ministry.

The High on Sports program became Albuquerque's best-known high school sports show, and included coverage of the state playoffs at least three nights a week. The concept was that the sports programming was a sure-fire way to be on campus every week, giving KLYT better access for ministry to youth. It was also designed to encourage students and parents to check out KLYTs non-sports programming in other dayparts.3 High on Sports also became a great source of grant revenue for the station. However, Gilman attributed the brutal schedule between his sports and morning show on-air duties as a factor in his divorce in 1988.

KLYT-sponsored concerts rebounded in the late-80's. The station's management regarded them as a particularly effective outreach for young people. Though popular and successful, there were some infamous highlights including outdoor concerts with Degarmo and Key during a 80 mile-per-hour windstorm, and a Daniel Amos concert overlooking a malfunctioning, pea-green waterpark pool (D.A. lead-singer Terry Scott Taylor refers the show as one of the worst concert experiences of his life). More successful concerts (Bryan Duncan, Kenny Marks, Kim Boyce, Resurrection Band) renewed the events as a hallmark of the KLYT legacy.

However, as KLYT regained ministry ground externally, Gilman decided to leave due to an inability to meet the schedule demands. Eventually, another Tucson import named Tom Terry (KVOI) was brought in to take over operations and programming.

Later, Rich brought aboard popular KOB-FM personalty Peter Benson as Program Director and Heidi Chavez as Sales Director, along with and other key staff members as the station continued to strengthen its ministry. As vinyl records gave way to compact discs, KLYT regained its stature in Albuquerque's Evangelical community, and CBA expanded into areas such as concert promotion and magazine publishing.

;Musical Evolution

The playlist under Rich's management held even more strictly to what was distributed Christian music labels, which were now operating within the framework of a mature music promotion and distribution industry. Rich's first move was to eliminate many of the secular crossover mucicains from the playlist, and out went Bob Dylan and U2 due to their wishy washy approach to their faith. This move was met with some outspoken opposition from some of the volunteers at the station. KLYT's new format was christened CHR, or "Christian Hit Music" as a counterpart to secular "Contemporary Hit Music" and "Top 40" pop stations along the dial.

In 1988, KLYT's stable of volunteer disc jockeys were clamoring for changes in the playlist. These concerns mirrored the cries for movement toward edgier Christian music that were discussed more than a decade earlier, and were a running theme throughout the history of the station. The station's management responded to these concerns by introducing a number of specialty shows catering to specific audiences. This included a Rap and Hip Hop show, a Christian rock "oldies" program and others. Perhaps the most popular show in this lineup, Light as a Rock, was launched by Pete McConnell in the summer of 1988 as an outlet for Christian heavy metal, thrash and alternative music. This show became the bane of the station's management over McConnell's lack of desire to follow a playlist. The show soared in popularity among Christian heavy metal fans in Albuquerque. Later re-named G-Rock, the show gave a radio outlet to many Christian bands pushing the religious music envelope. Under McConnell's, and later Walter Ratliff's, leadership, the show played early underground and independent recordings by up and coming artists and groups that would go on to wider success, including Moby, Sixpence None the Richer and Over the Rhine.

;Expanding Ministry

As changes were underway in KLYT's programming, CBA boosted its presence in the community by expanding beyond radio programming. Most significantly, it launched the magazine "Cutting Edge", a monthly current issues magazine in January 1991.

CBA also purchased a unique travelling concert stage dubbed "Swing Shift." This full-size mobile stage unfolded from a semi-tractor trailer bed, and allowed Christian music concerts and other events to be held by CBA throughout the state. Swing Shift bolstered KLYT's presence in towns throughout New Mexico as the station began transmitting to much of the state. Eventually, KLYT's signal was re-transmitted to nearly all of New Mexico's population centers. KLYT had grown from an Albuquerque radio station to a statewide media phenomenon.

;Politics and Religion

A characteristic of KLYT and CBA's peripheral ministries during the early 1990s was the emphasis on conservative politics. Terry offered commentary segments during KLYT's morning show, and offered pro-family articles as the Editor of CBA's " [http://www.thomasterry.com/cuttingedge Cutting Edge Magazine] ." This included articles critical of local legislation on adult bookstores, the problem of street gangs in the city, and reaction to the 1991 Gulf War. After Terry's departure, the magazine took a hard-right turn under the editorship of Deswood Tome, and was shut down by CBA management in 1997.

;International Outreach

The Christian Broadcasting Academy also embarked on international reach. In 1992, a radio ministry associated with Campus Crusade for Christ contacted CBA's management about programming Christian music for the Middle East. After and initial trip to Egypt by Randy Rich and members of the KLYT board of directors, Operations manager Tom Terry and Asst. Music Director Walter Ratliff traveled to the Middle East to conduct focus groups with area church leaders. Though plans for a KLYT-modeled radio broadcast via Radio Monaco never came to fruition, the project launched the international broadcasting careers of Terry and Ratliff.

;The Calvary Chapel Era 2001-Present

KLYT and the Christian Broadcasting Academy were thrown into crisis again in 1999. During this year, CBA was in good financial shape, and the community's support of the station was as strong as ever. However, the failure of Randy Rich's marriage cast the operation's future into uncertainty, just as Emert's divorce had done 15 years earlier. (The station's General Manager was also the "de facto" chief fundraiser for the ministry.) Despite Rich's departure, KLYT retained strong support across New Mexico's Christian community. One month after his resignation, the station's annual on-air fundraising campaign exceeded its goals, and CBA/KLYT had a healthy savings and projected budget for the following year. Even with the show of continued community support, Paul Saber, chairman of the Christian Broadcasting Academy's board (as well as a member of Calvary Chapel of Albuquerque's board), spearheaded an effort to have KLYT and its assets "gifted" to the Calvary Chapel of Albuquerque. In 2000, Saber also sold off his Albuquerque McDonald's restaurant franchises, and eventually moved to San Diego, California.

Non-Calvary members of the board were in the minority during the station's transfer process. A number of local Christian leaders lamented the single-church takeover of a station that had operated for 25 years by a network of Evangelical churches from a variety of denominations. The Christian Broadcasting Academy was dissolved, and Calvary-Albuquerque took over KLYT and its network of translators on January 1, 2001.

KLYT's facilities were combined with those of the church's commercial radio station, KNKT-FM (107.1). The staff was reduced over time, and automation increasingly replaced live announcers in most dayparts. KLYT's Peter Benson stayed on as a talk show host on KNKT and in programming the new KLYT, dubbed M88. By 2005, KLYT alumni Steve Reimann had rejoined the station's staff, and The Echoing Green's Joey Belville joined as music and special events director.

Later, KLYT's ownership by Calvary-Albuquerque became a key component of a pastoral shakeup at the church. In 2004, Calvary pastor Skip Heitzig left the church he founded to return to California. His hand-picked successor, Pete Nelson, later claimed Heitzig asked to have KLYT's ownership transferred to a corporation controlled by Heitzig. This transfer was voted down by local members of Calvary-Albuquerque's board.4

Since its transfer, KLYT's funding has come from the church's tithing and donations, as well as from the sale of merchandise related to Heitzig and the network of Calvary Chapel churches around the country. The station also runs a limited number of grant announcements from companies around Albuquerque that donate to the station.

Despite the occasional turmoil throughout KLYT's three decades of youth-oriented radio programming, the station has maintained a strong standing in New Mexico's Evangelical community. It is often cited as one of the longest lasting stations of its kind, and has been periodically recognized by the Gospel Music Association and the National Religious Broadcasters association.


In addition to the main station, KLYT is relayed by an additional 17 translators to widen it's broadcast area.RadioTranslators
call1 = K293AO
watts1 = 250
class1 = D
freq1 = 106.5
city1 = Alamosa, Colorado
call2 = K214DE
watts2 = 10
class2 = D
freq2 = 90.7
city2 = Antonito, Colorado
call3 = K201BJ
watts3 = 52
class3 = D
freq3 = 88.1
city3 = Alamogordo, New Mexico
call4 = K218AK
watts4 = 63
class4 = D
freq4 = 91.5
city4 = Artesia, New Mexico
call5 = K201CY
watts5 = 170
class5 = D
freq5 = 88.1
city5 = Clovis, New Mexico
call6 = K207CQ
watts6 = 100
class6 = D
freq6 = 89.3
city6 = Gallup, New Mexico
call7 = K244DT
watts7 = 221
class7 = D
freq7 = 96.7
city7 = Grants, New Mexico
call8 = K211CW
watts8 = 57
class8 = D
freq8 = 90.1
city8 = Hobbs, New Mexico
call9 = K201CC
watts9 = 63
class9 = D
freq9 = 88.1
city9 = Las Cruces, New Mexico
call10 = K224CK
watts10 = 75
class10 = D
freq10 = 92.7
city10 = Las Vegas, New Mexico
call11 = K228DQ
watts11 = 174
class11 = D
freq11 = 93.5
city11 = Portales, New Mexico
call12 = K229AL
watts12 = 250
class12 = D
freq12 = 93.7
city12 = Questa, New Mexico
call13 = K250AB
watts13 = 55
class13 = D
freq13 = 97.9
city13 = Roswell, New Mexico
call14 = K220CE
watts14 = 82
class14 = D
freq14 = 91.9
city14 = Ruidoso, New Mexico
call15 = K212EH
watts15 = 2
class15 = D
freq15 = 90.3
city15 = Silver City, New Mexico
call16 = K216CK
watts16 = 10
class16 = D
freq16 = 91.1
city16 = Truth Or Consequence, New Mexico
call17 = K290AN
watts17 = 170
class17 = D
freq17 = 105.9
city17 = Seminole, Texas



1. "Local Service Set for UNM Teacher," Albuquerque Journal (New Mexico), January 28, 1995, C9.

2. Kailer, J.D. "Divine Interventions," Albuquerque Journal, December 15, 1996, D1.

3. Herron, Gary. "DNHS, Carlsbad To Meet," Albuquerque Journal, May 16, 1998 D3.

4. Webb, Andrew. "Gift of Radio Station to Calvary Sparked Little Static," Albuquerque Journal, March 20, 2006 A1.

External links

* [http://www.m88.org/ KLYT-FM/M88 Online]
* [http://www.thomasterry.com/ Tom Terry's Blog]
* [http://www.danielamos.com/articles/sonlyght.html Rudy Grande interviews artist Terry Scott Taylor in 1982]
* [http://www.thomasterry.com/cuttingedge Cutting Edge Magazine archive]

Wikimedia Foundation. 2010.

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